Dr. John Clarke stars in a public service video he produced called “The Gap Rap.”
Apparently there’s a problem at Long Island Railroad stations with people falling into the gap between the train and the platform. So, Dr. Clarke decided to create his ‘health hop’ video.
Dr. Clarke, who captured wide media attention for his H1N1 Flu Rap,was enthusiastic about his new video, “I recognize that gap accidents are quite preventable. I knew that Health-Hop would be a perfect way to spread the message and make an impact.”
Upcoming ‘health hop’ projects for Dr. Clarke : Aids, Global Warming and Lindsay Lohan.
In case you missed it, America’s best political writer, Matt Taibbi weighed in on L’affair Breitbart on the Rolling Stone blog:
I’ve decided it isn’t even necessary to have the debate over whether or not the Tea Partiers are racists. It’s enough to point out that the Tea Party and its sympathizers contain too many people like Andrew Breitbart (the idiot blogger from the Big Government website who originally posted the Sherrod video), Bill O’Reilly, and Glenn Beck, all of whom popped huge public woodies the moment the Sherrod video surfaced.
It’s just not necessary to say whether or not these people are racists. All that needs to be pointed out is that when they get a chance to gape at a video purporting to show a black Obama official confessing to having mistreated a white farmer (it turned out to be the opposite of that, of course), or a tape of Black Panther King Shamir talking about “killing cracker babies,” the word that best describes the emotions they display at these times is glee.
They enjoy these morbid stories about offenses to white dignity way too much. I caught Glenn Beck talking about some case involving a Black Panther who was intimidating people at a voting booth back in 2008—the guy had this pervy smile on his face that made him look exactly like one of those creepy dudes sitting hunched over at the edge of the bed playing the cuckold in cheating-wife porn videos. Over the Black Panthers! Who the hell has even seen a Black Panther since the seventies? The whole thing reminds me of that Chris Rock routine about Native Americans—“When was the last time you saw two Indians?”
I love how he ends the piece by asking “Is anyone else dreading 2012?”
I feel ya, dude. It’s going to be an all out brawl. 2012 might be the year the American republic ends up so frayed as to be ungovernable. The rightwing has backed itself so far into a corner that there is almost no way that they can still walk it back anymore. People are going to die during the next national election cycle. 2008 was merely the opening act. It’s already fucking fucked up. The rhetoric is so mean and hateful that the next step is easy to predict: Violence.
Looked at from one point of view, the whole Axis of Idiocy (Fox News, tea baggers, conservative Christians) thing we’re seeing in this country is nothing short of a mass mobilization of some of the meanest and stupidest people to publicly present themselves that I have witnessed in my entire life. Don’t get me wrong, I consider most of these sad, deluded fools to be people whose time will somewhat quickly come to an end. The Tea party is a manifestation, by and large, of cranky old white people. They’ll be dying soon enough and their grandchildren will not be replenishing their ranks. It’s just not going to work that way. the demographics all but prohibit it from happening. Still, even if, historically speaking, it’ll be temporary, what happens in the meantime is going to make for a really trying couple of decades, ‘cause there is a mean genie that’s gotten out of the bottle and he ain’t going back in anytime soon.
The Tea Party is Perverted and Irrelevant (Rolling Stone)
Brilliant! Lays out the contents of Andrew Breitbart’s mind with surgical precision. This really will come in handy for people unfortunate enough to find themselves on the same TV show as Breitbart. I’m sure he’s seen this, can you imagine how infuriated he got? His looney debate technique must’ve taken years to develop and this fucks it all up!
Anyone who had any doubt about nasty man Andrew Breitbart’s crazypants bona-fides needs to watch the below CNN clip, wherein the strident rightwing windbag proves that he and reality are no longer on a first name basis! From Wonkette:
Yes, how do we know that is the farmer’s wife wife? Does the cow say “moo” or does it say “conspiracy”? What do the letters in the acronym EIEIO mean? The farmer says he was in the dell, but, hi-ho, the derry-o, was the farmer in the dell, or does CNN even know? We can sit here and say the farmer takes a wife, but why does the cheese stand alone, media? WHY?
Breitbart has decided to drown in liquid shit on national television and use the fact that we “can’t” really know if anything is “true” as a life raft. Does somebody with a gun mind shooting this life raft for us? It’s okay if you accidentally “miss” and hit Breitbart. Nobody will ever know if you were aiming for him, because who can say what truth is?
Passive aggressive mindrot at its finest! The thing is, Breitbart has nothing to fear: Anyone dumb enough to care what this well-fed Archie Bunker-manqué thinks was busy eating junk food and watching Fox News and will never, ever hear the truth about l’affair Sherrod, anyway! Life is a win-win situation when you’re a rightwing opinion maker!
Breitbart: Is the Farmer’s Wife Really His Wife? (Wonkette)
Marshall McLuhan would have turned 99 years old today, and his status as the god-daddy of media studies still seems pretty rock-solid. I wasn’t previously aware of how often the Canadian theorist appeared on TV, and was especially unaware of his November 1967 duet with New York novelist Norman Mailer on the Canadian Broadcasting Corporation show The Summer Way, bravely moderated by Ken Lefolii.
Recovered from recent treatment for a benign brain tumor he suffered while teaching in New York, McLuhan gamely tugs at a few of Mailer’s pretensions. Mailer is recently back from levitating the Pentagon with the Yippies, with the siege of Chicago during the 1968 Democratic Convention in his future.
McLuhan pops off a bunch of gems, including:
The planet is no longer nature, it’s now the content of an artwork.
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Nature has ceased to exist…it needs to be programmed.
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The environment is not visible, it’s information—it’s electronic.
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The present is only faced by any generation by the artist.
Communications maven Michael Hintongoesspeculative on his hero’s televised meeting with the Jersey-raised boxer-novelist, but of course it’s best to just check the thing out yourself.
Andrés Duque’s great Blabbeando blog has provided great coverage, including some enlightened sport-star involvement in the issue and the segment below featuring baby-dyke blogstar Cumbio. In a report for Buenos Aires TV magazine Vertigo, homegirl and her camera crew walk right up to participants in an anti-gay marriage demonstration and starts engaging them, taking in a bunch of the usual insulting arguments against equality. But in a startling scene that you couldn’t imagine in a similar segment here in the US, she’s actually embraced and kissed by some of the maternal types among the evangelicals who insist on the old cliché that “it’s the sin, not the sinner.” Cumbio comes out of it a little annoyed, but notes later that they “didn’t treat [her] badly.”
Kinda refreshing, eh?
Bonus clip after the jump: Federacion Argentina LGBT’s simple and powerful ad for marriage equality…
Word from a Fab Five Freddy tweet and a post on his own MySpace blog is that New York hip-hop futurist Rammellzee has passed away at age 50 from as-yet-unrevealed causes. (@149st features a great, fact-filled interview with the man.) Emerging as a teen graffiti artist in the mid-‘70s, bombing the A-train from its last stop in his Far Rockaway, Queens hometown, Rammell ended up like many of his talented peers—a multidisciplinary creative icon submerged in the nascent metropolitan hip-hop scene. He first surfaced as a persona to the world in amazing fashion, dressed in trenchcoat and wielding a sawed-off shotgun as he MC’ed for the Rock Steady Crew in the Amphitheatre scene of hip-hop’s famous first film, 1982’s Wild Style.
As you can see, London artist collective Liberate Tate were at it on Monday, letting the Tate Modern art museum know during their BP-feting summer party that taking sponsorship money from the oil giant is unacceptable. Don’t be misled by the occasional media reports of indignant Englanders bristling about the supposed anti-British nature of BP bashing. While we in the US have been driving around barely knowing what “BP” stands for, UK orgs like Art Not Oil have been working since 2004 to call attention to BP’s and Shell’s beneficent use of arts sponsorship to divert public attention away from their actual activities.
The great Mixmaster Morris drew my attention to this bit of coverage of the G20 demonstrations in Toronto this weekend by Miguel Barbosa’s YEAH! Films Company. Clip #1 is more raw, and seems to have been converted to the more stylized clip #2. It seems like some of the most de-sensationalized, semi-balanced coverage so far, although Barbosa & co. seem rather generally disenchanted by the protestors, as shown in his posting on the YEAH! site:
If your going to attack a city, I would suggest weapons & better tactics. I knew these guys were gonna attack 10 minutes before it happened…
Anyways, they didn’t like people taking photos & video. It was kind of too late only a few minutes into the protest, the year is 2010, and everybody has some sort of camera. One protester attacked me when I yelled “Do you think this burning car is going to change the world?”
I hope you at home are sane and human enough to see what they did to this city & what they put innocent people through is completely wrong. It was embarrassing for the City of Toronto and it was embarrassing for Canadians. You all should be ashamed of yourselves. I heard you guys smashed a Tim Hortons. If that isn’t crossing the line I don’t know what is.
Barbosa points out the extreme mediation of the event—“everybody has some sort of camera.” Although it can be useful in documenting and possibly preventing police abuse—which seems to have been somewhat the case since, say, Chicago ’68—it’s hard not to detect a bit of collective narcissism as well.
The wonderful Tracii Macgregor at Gargamel Music hepped me to this latest project put together by New York hip-hop DJ/producer/scene-vet Rich Medina. Like any device, the mash-up/remix can yield a good amount of garbage (Gaga vs. Bieber, etc.), unless the sources are well-chosen and assembled.
It hardly gets better than pop king Michael vs. Nigeria’s Afrofunk prez Fela Kuti—much has been made of how Fela and James Brown mutually influenced each other, so the R&B/Afrofunk connection is hardly a surprise. Medina’s put together 10 rounds of it for The King Meets the President in Africa, which is downloadable for free. Unfortunately, the videos below are uncredited—if Rich did these as well, I’d consider him even more of a badman talent than I already do.
Although Charles Manson had been interviewed on television from prison previously, the 1981 chat he had with Tom Snyder that was aired on the Tomorrow show 29 years ago tonight was the first he did outside of his cell. On review, it’s instructive in two ways.
First, it shows that inside the clichéd image to which so many fashionably “extreme” types cling (via t-shirts and the rest) lives a rather regular guy—albeit one who inhabits an extraordinary sense of self-justification. Secondly, it demonstrates the hugely talented Snyder’s haranguing pomposity, which was also famously on display the previous year in his interview with John Lydon and Keith Levene of PiL. Geraldo Rivera would tweak that same pomposity with a bit of sleazily ingratiating buddy-buddy attitude during his 1988 go-round with the bearded enigma. For an actual listening exchange with the man, check out the Charlie Rose CBS News Nightwatch session from 1989.
Twenty-three years ago today, Fawn Hall became the most famous secretary in America. On June 8, 1987 Hall testified in the Iran-Contra hearings to helping her boss Lt. Col. Oliver North shred documents having to do with the affair, in which senior Reagan administration officials facilitated arm sales to Iran in order to fund the Nicaraguan contras.
Fawn Hall dated Contras politician Arturo Cruz, Jr. In one mishap, she transposed the digits of a Swiss bank account number, resulting in a contribution from the Sultan of Brunei to the Contras being lost. On November 25, 1986, she smuggled confidential papers out of her employer’s office hidden inside her leather boots…
Life after the hearings proved just as interesting for the late-20s Hall, who predictably pursued a modeling career and eventually met and married former post-Morrison Doors manager and archetypal L.A. music business maven Danny Sugerman. The Inside Edition clip below—hosted by a then-second-tier Bill O’Reilly—provides a snapshot of mid-‘90s tabloidism as the sordid strands of politics, drugs and entertainment tangle together deliciously. Sugerman later died of lung cancer in 2005 at age 50.
Over at Salon today, Glenn Greenwald has posted a terrific, take no prisoners rebuttal (more a demolition) to an article published in the NY Times about how the citizens of Pakistan harbor dark and paranoiac thoughts about the United States, and of course, Israel (and India). It’s a well-established fact that some absolutely insane conspiracy theories are widely believed by the Arab man in the street. Even elite media types—people who travel a lot for work—fall prey to and propagate such memes—like the long discredited anti-Semitic text Protocols of the Elders of Zion, which was made into a TV mini-series in Egypt. Yes, it’s safe to conclude that utterly false, and quite unhelpful conspiracy theories about the USA are common currency in the Arab world… but… but what about the batshit crazy stuff Americans believe about the Middle East, Islam and Arabs?
Initially, it’s worth asking how these “conspiracy theories” compare to this: from the front page of The New York Times, September 8, 2002:
More than a decade after Saddam Hussein agreed to give up weapons of mass destruction, Iraq has stepped up its quest for nuclear weapons and has embarked on a worldwide hunt for materials to make an atomic bomb, Bush administration officials said today. . . . In the last 14 months, Iraq has sought to buy thousands of specially designed aluminum tubes, which American officials believe were intended as components of centrifuges to enrich uranium. . . . An Iraqi defector said Mr. Hussein had also heightened his efforts to develop new types of chemical weapons. An Iraqi opposition leader also gave American officials a paper from Iranian intelligence indicating that Mr. Hussein has authorized regional commanders to use chemical and biological weapons to put down any Shiite Muslim resistance that might occur if the United States attacks.
*Ahem*
He goes on to give example after example of mind-numbing misstatements of fact, fear of the other—and just plain awful reporting—all courtesy of America’s chattering classes, i.e. the folks who are supposed to be better informed than the public, the media elites.
It’s not hard to conclude that there are extreme misconceptions on both sides of the equation. If you watch, say, Al Jazeera in English (which is all we really have access to) it’s a pretty measured news organization, much more BBC than Fox News, that’s for sure. But look at our media here and the flouting of woefully misinformed—just fucking stupid—people like Sarah Palin as opinion makers. There was an article I came across just today about how the CIA was planning to make a phonied up video of Saddam Hussein screwing a little boy (before abandoning the idea because they realized it wouldn’t have the same taboo shock value over there as it would here!). I mean, this is the shit the CIA admits to! Is there any wonder at why the average Pakistani citizen would feel that the United States is the Great Satan and not trust us?
Paranoia? Or rational fear?
I highly suggest reading Glenn Greenwald’s entire piece, this is just a teaser for it.
Those irrational, misled, conspiratorial Muslims (Salon)
In conclusion, here’s a lovely bit of homegrown convoluted thinking… the maker of this video actually seems to believe in his heart that this man is a liberal plant at a Tea party! The Democrats sent him! Blame Obama! (To be clear, the guy is right to fuck with the idiot, but to call him a Democrat plant is quite a leap, I think you’ll agree! Can’t just be a conservative idiot, can he, he’s got to be a liberal plant? Or ACORN! WTF?)
‘American Able’ intends to, through spoof, reveal the ways in which women with disabilities are invisibilized in advertising and mass media. I chose American Apparel not just for their notable style, but also for their claims that many of their models are just ‘every day’ women who are employees, friends and fans of the company. However, these women fit particular body types. Their campaigns are highly sexualized and feature women who are generally thin, and who appear to be able-bodied. Women with disabilities go unrepresented, not only in American Apparel advertising, but also in most of popular culture. Rarely, if ever, are women with disabilities portrayed in anything other than an asexual manner, for ‘disabled’ bodies are largely perceived as ‘undesirable.’ In a society where sexuality is created and performed over and over within popular culture, the invisibility of women with disabilities in many ways denies them the right to sexuality, particularly within a public context.
This project stemmed from your original desire to do a memoir, but seems to have become something much more.
Originally, I had the idea that I could work with the idea of memory and perception in the context of writing a memoir. I probably didn’t remember my life that accurately, and perhaps not that interestingly, but if I made my memoir open-source and brought people who had their own memories of interacting with me in their own lives — during the late ’60s/’70s and the period when I was doing Mondo 2000 and earlier magazines — then something really interesting would come of that. It’d be a literary experiment and an exploration of memory and psychology. That’s where it started.
On one level it seemed really self-indulgent; in another way, it seemed like a fairly original project. There’ve been a lot of books where it’s “as told to,” starting with a book called Edie by George Plympton, where they go around and talk to a whole lot of different people and quote them verbatim about some person’s life and what they witnessed.
My feeling was this would dig a little bit deeper, more interactive and more probing. Eventually, largely as a result of thinking about raising capital to get started on Kickstarter, trying to get the equivalent of the small amount book companies give for an advance, I decided I needed to narrow my focus. People would be interested in doing this just with Mondo 2000 and the magazines that preceded it. So it was narrowed down to a period from 1984-1997, starting with a magazine called High Frontiers that mutated into Reality Hackers and then Mondo 2000.
Mondo 1995: Up and Down With the Next Millennium’s First Magazine by Jack Boulware (SF Weekly)
This had me spitting coffee. It’s Guruji—the Real Social Media guru, who has come from India to Los Angeles, the real birthplace of spirituality and yoga, to enlighten the Tweeters.