After the success of his B-movie The Delinquents, Robert Altman was given the job of co-directing (with George W. George) a documentary on James Dean. The association of Altman’s surprise hit—about out-of-control kids who just “gotta have action”—and the young actor—who appealed to these troubled teenagers—was considered by Warner Brothers as too good an opportunity to miss.

Made in 1957, two years after the actor’s death, The James Dean Story is well-made documentary composed from archive and photographic footage, interviews and out-takes, which gives a great sense of Dean’s life and talents. The film was also a key piece in the actor’s mythologizing.

According to Forbes magazine, the James Dean estate makes $5m a year, which is more than the star made his lifetime. That his fame continues to grow says much about Dean’s ability to epitomize that certain something generations of film-goers have identified with over the past six decades. As Dennis Hopper once said about Dean:

“He seemed to capture that moment of youth, that moment where we’re all desperately seeking to find ourselves.”

Or, as Dean himself said, in a line from Antoine de Saint Exupéry’s The Little Prince:

“What is essential is invisible to the eye.”