Chris Marker: ‘Bestiaire’ from 1990

chris_marker_owl
 
Chris Marker‘s Bestiaire, three short video haiku:

Bestiaire 1. Chat écoutant la musique
Bestiaire 2. An owl is An owl is an owl
Bestiaire 3. Zoo Piece

Simple meditations that reveal a more intimate side to the enigmatic director, best known for La jetée (1962) (which later inspired Terry Gilliam’s Twelve Monkeys) and Sans Soleil (1983). Marker has said of his work:

‘The process of making films in communion with oneself, the way a painter works or a writer, need not now be solely experimental. Contrary to what people say, using the first-person in films tends to be a sign of humility: All I have to offer is myself.’

Now in his nineties, Marker the “mercurial international man of semiotic mystery” continues to work, details of which can be found here.
 

 
More animal haiku, plus bonus documentary, after the jump…
 

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Why Conservatives and Liberals see the world differently


 
How absolutely grand it is to have a great American institution like Bill Moyers back on our television airways? After reading about Moyer’s reasons for returning to the public sphere—he feels compelled to re-enter the national conversation at what he believes to be a dark and critical juncture in American civic life—I had been greatly anticipating Moyers & Company. So far, the series has not disappointed, with a discussion on crony capitalism with Reagan’s budget director David Stockman and ace financial journalist Gretchen Morgenson, and a conversation on “winner-takes-all” politics with Yale professor Jacob Hacker and Berkeley’s Paul Pierson. We’ve only got him for two more years—Moyers will retire again when he turns 80—but it’s great to see him back conducting these meaty, intelligent and engaged conversations. Moyers & Company is among the very best programming that PBS has to offer.

On the most recent show, Moyers interviewed University of Virginia psychologist Jonathan Haidt, who many DM readers might be familiar with from his 2008 TED talk on the moral values that liberals and conservatives hold the most highly and how this influences their politics, and from his book The Happiness Hypothesis.

In his upcoming book, The Righteous Mind: Why Good People Are Divided by Politics and Religion Professor Haidt aims to explain what it means when the other side “doesn’t get it” to both sides. He makes some terrifically good points during his interview with Moyers, especially when it comes to explaining how “group think” and “the hive mind” work on both extremes of the political spectrum in America (and in other countries, too).

As you can see in this piece, Haidt’s research is fascinating indeed, but I found that some of his premises and conclusions were extremely unsatisfying. Some seemed downright counter-intuitive. Unhelpful. Don’t get me wrong, I think this entire interview is worthwhile, thought-provoking—even essential—viewing no matter which bit of the political spectrum you might fall on yourself, but the more or less false assumption that seems to be at the heart of Haidt’s work—that both sides have come to their positions through equally intellectually defensible routes—made my face scrunch up in in an expression that some might describe as a look of “liberal condescension.”

You could say that “Well, isn’t that just what he’s talking about? You’re a socialist, so of course you’d see it that way!” but even if that’s true, let me offer up Exhibit A in a lazy, half-hearted—yet utterly definitive—argument-ending rebuttal: Orly Taitz, WorldNetDaily and the whole birther phenomenon.

How is it “balanced” to give obviously unbalanced people the benefit of the doubt? What would even be the point of that exercise? What purpose would it serve to a social scientist? If someone’s political positions can’t be reconciled with actual facts, then their political opinions are absolutely worthless.

Try having a rational political discussion with a LaRouchie sometime! It can’t be done.

People who have difficulty grasping the complexity of the world they live in should not be seen as coming to the table as equals with people who are not as intellectually challenged! This seems self-evident, does it not? The birther phenomenon among Republican voters was never some fringe faction within the greater GOP. It still isn’t.

It would be a waste of time to try to catalog every instance of ill-informed right-wingers who can’t spell “moron,” vehemently protest policies that would actually benefit their own lives, and who think that every single word in the Bible is the infallible utterance of God himself, but at least in this interview (his book isn’t out yet) Haidt fails to demonstrate why stupidity, superstition and flagrant lies about established historical facts deserve intellectual parity alongside of opinions borne of widely accepted science, common sense and a commonly shared national history, as opposed to the made-up one the Reichwing subscribes to.

The age-old trusim of “There are two sides to every story and the truth is somewhere in the middle” is no longer the case when you’re having a “philosophical disagreement” with a Drudge Report reader or Fox News fan who lives in their own private Bizzaro World where there is no difference between facts and Rush Limbaugh’s opinon . Internet comments that invoke conspiracy theories about Frances Piven, ACORN, the Tides Foundation, George Soros, Saul Alinsky, Van Jones or that comically conflate “Socialism” with “National Socialism” are dead-giveaways of a stunted intelligence on the other end of the keyboard. Teabaggers who want to pressure school textbook publishers to remove any mention of the Founding Fathers being slaveholders or Christianists who argue that Creationism is as equally valid as Darwin’s evolutionary theories should not be in a position to influence policy and yet in many parts of the country this is exactly what is happening, to the detriment of the school systems, the intellectual growth of the students who will be ill-prepared for higher education, etc. Does Haidt truly feel that these people who deny history and science itself came to their positions honestly and rationally? And if he doesn’t feel that way, wouldn’t that admission require a caveat so huge as to at least partially invalidate much of his take-away?

I’m intrigued by what his research has found, I’m far less impressed by how he interprets it.

I get that Haidt’s thesis must be presented in a manner which bends over backwards not to appear partisan, but when it’s been shown that a statistically significant percentage of lower IQ children tend to gravitate towards political conservatism in adulthood (read “Low IQ & Conservative Beliefs Linked to Prejudice” at Live Science) I feel like Haidt might missing the boat entirely: What if the REAL revelation at the heart of his research is that there’s an unbridgeable IQ stratification in America due to our shitty public schools, and the malign influence of the churches and talk radio/Fox News that may have already rendered this country basically ungovernable. (Jonathan Haidt regularly asks his audiences to raise their hands to indicate if they self-identify as “liberal” or “conservative” and notes that when he’s speaking to an audience of academics, that over 90% tend to call themselves “liberals”—is this merely a coincidence? I should think not!).

I respect what Haidt is attempting to do with his research, but ultimately, watching this, I saw so many flaws in his assumptions and methodology (at least as he explains it here, which I suspect is adequate) that I can’t help feeling that someone else is going to come along later and take up some of the more valid points of his work, discard the less impressive parts and get it right. He’s on to something in a big way, but I have deep reservations with much of what he concludes.

Still, as I was saying before, this is some must-see TV. Most thinking people will find something of value here, for sure. If this is a topic that interests you, it’s a fascinating discussion.
 

 

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How to pronounce ‘Sartre’
02.02.2012
12:56 pm

Topics:
Thinkers

Tags:
Existentialism
Jean-Paul Sartre


 
Well, I laughed…

(BTW, note that Sartre’s cigarette was airbrushed out in the above image, one of the posters for France’s National Library event celebrating his life and work in 2005. Ridiculous historical revisionism to do that to one of history’s most-committed chain-smokers, obviously, but necessary to circumvent prosecution under France’s strict anti-tobacco laws.)
 

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An hour of Leonard Cohen performing live in Austin in 1988


 
Leonard Cohen’s new album Old Ideas is being released next Tuesday. The critical reception has been ecstatic. Which thrills me because I have loved Cohen from the moment I heard “Suzanne” when I was 15 years old. He’s been a massive influence on my own music. My debt to him is deep.

Here’s something to hold you Cohen fans over until Old Ideas release: a brilliant performance by Mr. Cohen on Austin City Limits from 1988.
 

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Up from the underground: ‘Sex And Guts’ magazine reborn on the Internet


 
Wyatt Doyle, writer, publisher and a founding contributor to the NewTexture.com website, recently brought my attention to the new “Sex and Guts” blog, a digital resurrection of the infamous magazine. I’ll let Wyatt tell you about it:

In putting together our anthology of Chris D.’s writing, A Minute to Pray A Second to Die, I spent a lot of time tracking down his old press clips. When I asked Chris about an interview in a book called Midnight Mavericks, he clarified that it was reprinted from Sex & Guts magazine. That interview—by Gene Gregorits—turned out to be the most in-depth talk with Chris I’d read, and the rest of Gregorits’ interviews in S&G were of the same caliber. I eagerly picked up a copy of Midnight Mavericks for more.

That book, issued by the UK’s FAB Press in 2007, collected four dozen (!) interviews by Gregorits from the pages of Sex & Guts, encompassing a wide spectrum of artists in popular media whose work has placed them squarely outside the mainstream. With back issues of S&G difficult to come by, Mavericks was an easily-procured frequent recommendation I made to friends, fellow travelers and Chris D. fans who’d write in for progress reports on Minute. Midnight Mavericks was and is a cultural guidebook on par with the best of RE/Search Publications—no small achievement. This was eye-opening, mind-expanding—even inspirational—stuff.

Now Gregorits is taking his archives digital, via his new site, SNG Unexpurgated. He promises “the entirety of the Sex & Guts back catalog” over the next few weeks, all in his full, original edits (most of his work in S&G and MM was trimmed for space). He’s already posted an impressive array of profiles, including Stephen R. Bissette, Dan Fante, Patton Oswalt, John Waters, Lydia Lunch and that Chris D. interview that pulled my coat to begin with.

Though rarely short on memorable quotes, for the most part, Gregorits’ interviews are resolutely anti-soundbite—no small achievement, considering much of what passes for print interviews today. Save the glib and facile for bumper stickers; give me an interesting thinker in an expansive mood—and Gregorits on the tape recorder.”

“Sex and Guts” can be found here.

 

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David Gibson’s ‘Art of Mixing’ will blow your mind


 
People, I have a new guru. A visionary, a sage, a seer. I hang on his every uttering like they are precious droplets of Mana. He is a true master, and I am keen to follow in his ways.

His name is David Gibson, and he is the author of a book called The Art Of Mixing, a text used by some of the world’s top music production courses to show how best to “mix down” a track using its individual parts (drums/bass/vocals/etc). At some point in the early-to-mid 90s David also produced a video guide to accompany his book, using primitive computer graphics to help explain various ideas. Imagine if Wayne Campbell’s cable-access show had been directed by Tim & Eric, and concerned solely with music production techniques and the intricacies of a track’s mix, and you’re in the right ballpark.

The Art of Mixing (subtitled A Visual Guide to Recording, Engineering and Production) uses a very clever two-dimensional representation of a song’s “sound world” to show how effects, pan, track levels and EQ can be used to alter a song’s final mix, its shape, movement and dynamics. As well as imparting valuable information that any music producer will appreciate—be they bedroom or studio, headphone, Mackie mixer or Neve desk, witch haus, thrash metal or trad jazz—what really shines through is Gibsons sheer joy at working with music. This dude just exudes good vibes (in a slightly goofy, 90s-retro way, natch.)
 

 
In the modern world music is both hugely rejoiced and profoundly debased. Talent shows spread a myth that music is merely an easy route to fame, and that fame should be a musician’s ultimate goal before they are disposed of by the corporate behemoth in favour of the next big thing that comes down the machine’s pipeline. At the same time the tools for creating music have become easier than ever to obtain, as have the distribution methods, and now everyone’s voice can be heard. I believe we NEED people like David Gibson right now to remind us WHY we make music, and just why music is so precious, so magical, so moving and so much fun.

Gibson does not shy away from talking about music’s innate spiritual dimension and the long path of discovery, both personal and musical, for anyone who chooses to work with music. To the more literal-minded reader this may sound corny, but it is important to remember that music IS an artform, with as much wisdom to impart to the practitioner as any other discipline, be it scientific, artistic or spiritual. David Gibson is the Buddha of the track bounce. He IS the Anti-Cowell.

What you see below is the conclusion of The Art Of Mixing in its video form, as uploaded to YouTube, and it is truly inspiring. I have started at the end because it gives a very neat summary of the topics covered in the book/video, but also, in the words of Guru Dave himself: 

Now that we have covered all of the dynamics you can create using the equipment… we’ll let you begin this lifelong exploration on your own.

David Gibson “The Art Of Mixing (Part 17)”
 

 
David Gibson’s The Art Of Mixing: A Visual Guide to Recording, Engineering and Production is available to buy, in book form, on Amazon

Thanks to Kurt Dirt for expanding my mind!

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Quintron’s weather-controlled singing house synth
01.16.2012
04:20 pm

Topics:
Amusing
Art
Design
Games
Music
Science/Tech
Thinkers

Tags:


 
A new and as-always fun and functional project from New Orleans genius musician/inventor, Quintron. It’s really a beautiful idea, especially the rain drop trigger. In my perfect parallel universe every home would come equipped with this set of devices.
 

 
Thanks Stephen Fishman

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Alan Turing: Petition to Pardon his Conviction

alan_turing_petition
 
In the centenary of his birth, mathematician, code-breaker and pioneer of computer science, Alan Turing has been honored with a Royal Mail commemorative stamp, but has as yet to be pardoned over his conviction, in 1952, for being gay.

Turing was a central figure in the development of the computer. In 1936, he proposed a theoretical “Universal Machine”, which could carry out any calculation by following a stored program. He was also an essential part to Britain’s victory in the Second World War through his work at Bletchley Park, where he turned his “Universal machine” into a working computer. After the war, he intended to manufacture his machine as the first general purpose computer. He also pondered the question of a computer’s ability to think for itself, and proposed the Turing test as a way of measuring a computer’s intelligence.

Yet, for all his hard work for the state, he was shown no leniency when arrested in 1952 for admitting to sexual acts with a man. Homosexuality was illegal in England at this time, but Turing had no fear or shame over who he was. As the police noted when Turing gave his confession: “He was a real convert…he really believed he was doing the right thing.”

By doing the right thing, being brave, and proud in who he was, Turing was punished by the choice of imprisonment or chemical castration. He opted for the latter. He was also stripped of his security clearance and barred form working on or advising on any government matters.

In 1954, his career ruined, his life all but destroyed, Turing committed suicide by eating an apple injected with cyanide.

A tragic end to a man who did so much for others.

In 2009, John Graham-Cumming successfully organized a petition urging the British Government to posthumously apologise to Alan Turing for prosecuting him as a homosexual. This happened when then Prime Gordon Brown released a statement, which read:

‘Thousands of people have come together to demand justice for Alan Turing and recognition of the appalling way he was treated. While Turing was dealt with under the law of the time and we can’t put the clock back, his treatment was of course utterly unfair and I am pleased to have the chance to say how deeply sorry I and we all are for what happened to him ... So on behalf of the British government, and all those who live freely thanks to Alan’s work I am very proud to say: we’re sorry, you deserved so much better.’

But sometimes saying ‘sorry’ is not enough, and in December 2011, William Jones started a petition which states:

We ask the HM Government to grant a pardon to Alan Turing for the conviction of ‘gross indecency’. In 1952, he was convicted of ‘gross indecency’ with another man and was forced to undergo so-called ‘organo-therapy’ - chemical castration. Two years later, he killed himself with cyanide, aged just 41. Alan Turing was driven to a terrible despair and early death by the nation he’d done so much to save. This remains a shame on the UK government and UK history. A pardon can go to some way to healing this damage. It may act as an apology to many of the other gay men, not as well known as Alan Turing, who were subjected to these laws.

This year marks the 100th anniversary of Turing’s birth and it is now time to clear his name of the terrible injustice that was meted out to him, and other gay men. You can sign the petition here.
 

 
Bonus short, ‘The Achievements of Alan Turing’, after the jump…
 

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Wilson and I: A personal recollection of Robert Anton Wilson


A pop art RAW portrait by Bobby Campbell

An essay that I wrote about Robert Anton Wilson has been posted as part of Boing Boing’s special “Robert Anton Wilson Week,” joining pieces by Douglas Rushkoff, Erik Davis, Antero Alli, Ivan Stang, Gareth Branwyn. Paul Krassner, R.U. Sirius and others:

As “outsider” teenage readers of Robert Anton Wilson and Robert Shea’s classicIlluminatus! trilogy in the early 1980s, it seemed to some of my friends at the time (all big Kurt Vonnegut, Richard Brautigan and Philip K Dick fans, too) that the novel’s authors were trying to communicate something “in code” to their readers, like it was a message about “the conspiracy” that was coming from an underground resistance group. I thought that was bunk and fanciful nonsense, but it goes to show how strong of an effect that book had on kids’ imaginations back then.

Illuminatus! was a touchstone for freethinking weirdos of that era, one of the rare books that even attempted to make sense of being born into an ever increasingly surreal world still reeling from things like the JFK/MLK/RFK assassinations, Watergate and the Vietnam war and where Ronald Reagan, a bad actor who once worked with a chimpanzee, had just become President.

It was also an interesting experiment in mass occult initiation—sold at shopping malls across America—that satirically tore away the veils of the modern world and (actively, not passively) imprinted a skeptical worldview on the reader. Read those books from cover to cover and there was virtually not a chance in hell that you’d be a normal person ever again. The Illuminatus! trilogy really made quite an impression, let’s just say.

Wilson’s non-fiction work, Cosmic Trigger, was of even greater interest to me with its cheerful speculations on Timothy Leary’s channeled communications from “holy guardian angels,” psychedelic drugs and Aleister Crowley. The so-called “23 enigma,” I was familiar with already because of The Third Mind by William Burroughs and Brion Gysin, but it was explained in greater depth in Cosmic Trigger. It was the first place I’d read of Robert K. Temple’s book The Sirius Mystery and it was also the first time I heard the name Terence McKenna. I can’t tell you how many weird and wonderful things that book exposed me to.

It was instrumental in forming my worldview. Simply put, it’s in my DNA. Cosmic Trigger is one of the UR-documents of my life (and career!).

The first time I met up with Bob Wilson, in the flesh, was at a day-long event called “Millennial Madness” that took place in the Scottish Rites Masonic Temple on Wilshire Blvd. in Los Angeles. It must have been around 1993. He was speaking at the event on a bill with Timothy Leary, medical marijuana guru Jack Herer and Paul Krassner. RAW was outside having a cigarette and I nervously offered him some of the spliff I was smoking, which he happily accepted and we chatted for a moment.

Read the rest at Boing Boing:
Wilson and I

Below, Robert Anton Wilson at the DisinfoCon, February 19, 2000, at the Hammerstein Ballroom in New York:
 

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Frank Zappa: His last documentary from 1993

frank_zappa_doc
 
What becomes apparent is that one documentary is not enough to cover the life, times and creative career of Frank Zappa. This one, recorded the year of his sad and untimely death, tries very hard and does capture much of what was best loved about the great man.

Originally shown on BBC 2’s The Late Show (now there was a pretty funky arts series, one that’s still missed) on July 23 1993, it contains one of Zappa’s last (lengthy) interviews (full meat and gravy), as well as contributions from a host of diverse supporting players - The Mothers to The Dubliners to Matt Groening, plus full pics and story.
 

 
Previously on Dangerous Minds

Unaired 1985 interview with Zappa: Too Hot for TV


Frank Zappa 1971: Progress is not possible without deviation


Young Frank Zappa plays the bicycle on ‘The Steve Allen Show’


 

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What if Henry Rollins were president?


Henry Rollins For President t-shirt by Hello Henry
 
A short video from Big Think wherein Henry Rollins describes the actions he would take if he were President of the United States of America. Say what you like about Rollins’ music and his stand-up (or even his views about the younger generations) but he seems to have a pretty good grasp of what would be expected of him in office. So, would you vote Rollins for President?
 

 
Previously on Dangerous Minds:
Pictures of Henry Rollins with long hair
Does Henry Rollins pass the Man Test?
Lydia Lunch and Henry Rollins: a tale of jealousy, rage and obsession
Henry Rollins mutant gene
“Hi Mom! Still alive!” Black Flag and the Punk violence hysteria of 1980-81

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Alan Moore: ‘Don’t Let Me Die in Black and White’

alan_moore_northampton_1993
 
Buttonholed by Alan Moore, as he presents Don’t Let Me Die in Black and White, a fascinating personal travelogue (part history, part politics, part autobiography) of his home town, Northampton, from 1993.

Starting outside the railway station, at the “smoldering, steaming belly” of the town, Moore delivers a series of enjoyable pieces-to-camera, which take in his childhood, and youthful ambition to be a superhero; through to the stories of respected local figures, such as the 18th century radical politician, Charles Bradlaugh; then on to why Moore believes anti-semitism started in Northampton’s Gold Street; to finally arrive at how the present day town’s streets and precincts (which are protected by a mystical pentangle of the same logos, the same names, the same products) are creating a parallel universe, a wallpaper society, which is endlessly repeating itself.

Though Moore hasn’t traveled much in his life (“because the world moves fast enough, anyway”), he believes that by understanding Northampton (“home of the lager lout and the credit consumer”), he will have a better understanding of the wider world.

Don’t Let Me Die in Black and White was originally made for Channel 4 in 1993.
 

 
Previously on Dangerous Minds

Behead the Currency: Alan Moore on OWS and why THIS generation has to do something NOW

 

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Unaired 1985 interview with Zappa: Too hot for TV


 
This compelling 1985 interview with Frank Zappa conducted by legendary Washington D.C. deejay Cerphe (Don Collwell) for Baltimore TV was never aired. Either it was too edgy for local TV or, as rumor has it, Zappa refused to sign the release required to broadcast the interview. Which begs the question: why would Zappa, who was always fearless in voicing his opinions, stand in the way of this particualr interview being shown?

Two weeks after the interview,  Zappa testified on Capitol Hill at the infamous Senate Porn Rock Hearings on record labeling. Cerphe joined Zappa at the hearing and strongly spoke against censorship.

In light of the controversy surrounding the hearings, the station scheduled to broadcast the interview may have felt Zappa was just too radical for their viewership. For whatever reason, it remained unseen until it was smuggled out of the studio by someone who realized its value as rock history.

As usual, Zappa takes no prisoners as he candidly critiques the state of modern rock and roll, censorship, conformity, sex, consumerism, MTV and more.

Raw and unedited.
 

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Man Ray: Home Movies

man_ray_eluard
 
Home Movies of Man Ray and Ady Fidelin from 1938, present a simple and intimate portrait of the man behind the artist.
 

 
With thanks to Angie Lane
 

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It’s Phil Ochs birthday: Here’s a terrific documentary on Ochs for your viewing pleasure


 
Phil Ochs was born on this day 71 years ago in El Paso, Texas. To honor the man, I present Phil Ochs: There but for Fortune, an insightful documentary on Ochs directed and written by Kenneth Bowser.

Featuring Michael Ochs, Meegan Ochs, Van Dyke Parks, Joan Baez, Pete Seeger, Christopher Hitchens, Lucian Truscott IV, Ed Sanders, Sam Hood, Sean Penn, Tom Hayden.
 


Watch phil.ochs.avi in Music  |  View More Free Videos Online at Veoh.com

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Revolutionary, artist and man of conscience, Vaclav Havel R.I.P.


Velvet Underground meets Velvet Revolutionary

Vaclav Havel died today at the age of 75. A former chain smoker with chronic respiratory problems, Havel had been in failing health the past few months and died at his weekend home in Hradecek in the northern Czech Republic,

Czech independence leader, artist and human rights activist, Havel was elected the first president of a free Czechoslovakia since 1948 on December 29, 1989.

A prominent force in the Velvet Revolution, a bloodless overthrow of the communist regime in in Czechoslovakia, which returned democracy to Czechs after fifty years of Nazi occupation and communist rule, Havel was the very definition of a man of conscience. Soft-spoken, humble, impish and possessing a healthy sense of the absurd, Havel was that rare leader who chose the power of inspiration over rhetoric and empty gesture. He was a revolutionary who recognized that artistic creativity was every bit as important as political dogma or ideologies. Without the humanizing force of literature, theater and music and an understanding of the interconnectedness of all things, civilization is a hollow machine destined for spiritual starvation.

Himself a playwright, Havel was perhaps the only world leader who was closer to rock and rollers like Lou Reed, Frank Zappa and Keith Richards than politicians and bureaucrats. It is reputed that The Velvet Revolution was named after The Velvet Underground, whose music was made popular in Czechoslovakia by Prague’s radical avant-rock band The Plastic People.

Havel was a peacenik who somehow managed to navigate the treacherous waters of political power without losing his sense of perspective or soul.

Havel’s revolutionary message—which helped oust the world’s second strongest power from his country, but which Americans and in that moment the American Congress have not always been ready to hear—is that peace does not come by defeating enemies, it comes by making people free, governments democratic, and societies just. “The idea of human rights and freedoms must be an integral part of any meaningful world order. Yet, I think it must be anchored in a different place, and in a different way, than has been the case so far. If it is to be more than just a slogan mocked by half the world, it cannot be expressed in the language of a departing era, and it must not be mere froth floating on the subsiding waters of faith in a purely scientific relationship to the world.”

Today’s world, as we all know, is faced with multiple threats,” he said in 1993 in Athens, on accepting one of the countless honors he received. “From whichever angle I look at this menace, I always come to the conclusion that salvation can only come through a profound awakening of man to his own personal responsibility, which is at the same time a global responsibility. Thus, the only way to save our world, as I see it, lies in a democracy that recalls its ancient Greek roots: democracy based on an integral human personality personally answering for the fate of the community.

Without a global revolution in the sphere of human consciousness,” Havel told Congress, referring to a movement toward democracy, “nothing will change for the better in the sphere of our being as humans, and the catastrophe for which the world is headed—be it ecological, social, demographic, or a general breakdown of civilization—will be unavoidable. If we are no longer threatened by world war, or by the danger that the absurd mountains of nuclear weapons might blow up the world, this does not mean that we have definitely won. This is actually far from being a final victory.”

Havel speaks at the Forum for Creative Europe in March of 2009.
 

 
Part two, plus a clip about how rock and roll figured into the Velvet Revolution, after the jump…

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Always a Hitch: R.I.P. Christopher Hitchens

Hitch
 
It’s impossible to know where to begin when paying tribute to an intellectual giant and truly Dangerous Mind like author and journalist Christopher Hitchens, who died today of metastized esophogeal cancer.

Far more elegant remembrances will pour in from far more skilled writers than I could ever hope to be. Here’s three hours of the guy speaking for himself on CSPAN’s Book TV show.
 

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‘I can hire one half of the working class to kill the other half’


 
I was looking for an image of an old labor movement poster that had the fat cat asking the mouse “You going let that union guy steal your cookie?” which I’ve always thought was the ultimate stick in the eye to working class people who watch Fox News and believe billionaire “job creators” deserve tax cuts, whilst union members and their families—you, know, their actual neighbors and relatives!—should have to make greater sacrifices. Instead of a vintage image, I came across the above illustration, Molly Crabapple and John Leavitt’s “We’re All in This Together,” their contribution to the terrific looking Occupy Comics project (which Alan Moore has just signed on to as well).

Isn’t that just a thing of beauty? It deserves to be a poster/lithograph too. I bet a lot of people would buy them. I certainly would. It’s something that needs to get around. and be seen.

I love the inclusion of the quote from quintessential 19th century “robber baron” Jay Gould, who (in)famously said:

“I can hire one half of the working class to kill the other half.”

That quote (and Google) in turn led me to stumble across The Punk Patriot, who has been making politically-themed YouTube videos for some time now—that are often quite good—with the aim to promote “life, liberty and the pursuit of a less fucked-up government.” Worthy goals, indeed!

In the clip below, The Punk Patriot takes on the Reichwing echo-chamber. This is a great video to send to that Archie Bunker-ish great uncle of yours who annoyed the shit out of you on Thanksgiving with his Fox News/Dittohead nonsense…
 

 
Follow The Punk Patriot on Twitter.

Visit The Punk Patriot’s blog.

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Happy Birthday Noam Chomsky!
12.07.2011
02:51 pm

Topics:
Activism
Heroes
Thinkers

Tags:
Noam Chomsky


Portrait of Noam Chomsky by Luca Del Baldo

America’s greatest public intellectual, prominent linguist, longtime MIT professor and tireless political activist, Noam Chomsky turns 83 today.

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Jodorowsky’s ‘March of the Skulls’: Collective Psychomagic in Mexico


 
Late last month in Mexico City, Alejandro Jodorowsky organized the “March of the Skulls” to disperse negative energy caused by the death toll of the nation’s drug war. Nearly 40,000 Mexicans have died drug war related deaths in the past five years. The advance billing for the November 27th event described it as “the first act of collective psycho-magic in Mexico” and it attracted nearly 3000 people who donned skeleton masks, face-paint, tops hats. Some marchers carried black versions of the Mexican flag and shouted “Long live the dead!”

From the Los Angeles Times:

The “maestro” arrived at the palace steps about 1:30 p.m., causing brief havoc among the gathered calaveras as people jostled to get near him. The white-haired Jodorowsky, fit and agile at 82, wore a black sports coat, a bright purple scarf and a detailed skull mask.

Along with his family, Jodorowsky led the calaveras up the Eje Central avenue to Plaza Garibaldi in a mostly silent demonstration. In the late 1980s, he filmed some key scenes of “Santa Sangre” at this plaza, homebase for the city’s for-hire mariachi bands. On Sunday, it was easy to imagine another “Santa Sangre” scene being filmed during the march, but this time from a dark and unfamiliar future.

Someone decided the group should sing a song. It became “La Llorona,” the Weeping Woman. 

Jodorowsky was displeased with the group’s initial interpretation, so he asked for another go at it. A mariachi band joined in as accompaniment.

“There are 50,000 dead beings,” Jodorowsky said through a bullhorn, before the sea of skulls. “They are sheep. They are not black sheep. We must have mercy for these souls that have disappeared. Let’s sing this song with lament, as if we were the mother of one of these persons. Understand?”

Then he asked that all those present cross and link their arms with those of the strangers around them. The group did. They chanted “Peace, peace, peace!” until Jodorowsky asked that everyone let out a big laugh. Laughter and applause followed.

You have to love that the wiley shaman did the old “c’mon you guys can do better” routine and made them sing it again!
 

 
After the jump, a news report about Alejandro Jodorowsky’s November 27, 2011 Psychomagic event in Mexico.

Posted by Richard Metzger | 3 Comments
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