Thanks to Soft Skull Press for sending me an advance paperback copy of Daniel Radosh’s “Rapture Ready: Adventures in the Parallel Universe of Christian Pop Culture.” This book is righteously demented—true to the title, it’s a voyage through the bizarre world of Christian pop culture, in a time where it is essentially one more underground scene, a pocket pop universe just like juggalos or furries (though slightly bigger—as Radosh points out, this stuff totals up to a $7 billion a year industry). Radosh takes us on a voyage through the cult of Left Behind, Christian rock, and the rest of the American Christian scene. Along the way we get some serious gems like “BibleZine” (!!!), bumper stickers reading “Any Sex that can Put You in Hell ISN’T SAFE” and Jay Bakker (Jim and Tammy’s son), who runs his own punk rock church.

I mean, reading this, it’s like… this is the alternate universe version of Dangerous Minds’ readers, like we went into a wormhole and came out with goatees and freshly baptized.

There are some absolutely jaw-droppingly great snippets of “Christian” lore from the book. For instance, Radosh includes a depiction of the Rapture from one of the “Left Behind” books:

“[M]en and women soldiers and horses seemed to explode where they stood. It was as if the very words of the Lord had superheated their blood, causing it to burst through their veins and skin… Their innards and entrails gushed to the desert floor, and as those around them turned to run, they too were slain, their blood pooling and rising in the unforgiving brightness of the glory of Christ.

Gloria in excelsis Deo, motherfucker.

Awesome. Or try this one, from a Christian joke book Radosh finds:

One women’s libber started out a speech: “Where would you men be without us women?” A guy in the back shouted, “In the Garden of Eden!”

I gotta remember that one to impress the ladies with.

Anyway, excellent, hilarious, disturbing, sobering book. I imagine it would make a great read alongside Jeff Sharlet’s “The Family: The Secret Fundamentalism at the Heart of American Power” for a look at where the Christian right is, both in politics and in culture at large, at this moment. (Interview with author below!)

(Rapture Ready!: Adventures in the Parallel Universe of Christian Pop Culture)

 

 
via Bookdwarf, Thx Ned R. !

Is that a Love and Rockets album? No, it’s “Contes de Perrault,” bound in beige calf and black morocco leather by Henri Creuzevault, 1950. Just one of many stupendously good book bindings on display over at BibliOdyssey.

Behold.

Over at the Nation, New Weird Wünderkind China Miéville weighs in on the new publication of J. G. Ballard’s complete short stories. The new book spans 1,200 pages of one of the most important authors of our time. What’s to resist?

The publication of any book by J.G. Ballard at this moment—let alone so colossal and career-spanning a volume as The Complete Stories, running to nearly 1,200 pages—is an occurrence that can only be about more than itself. All writers are writers of their time, of course, but Ballard, who after a fight with cancer died in April 2009, feels somehow uniquely, precisely so. This book marks the fact that we are all post-Ballard now: it’s not that we’ve gotten beyond him but rather that we remain ineluctably defined by him. Completists have pointed out that, its title notwithstanding, this volume is not a truly comprehensive collection of all Ballard’s published short fiction. Those few omissions are a disappointment. Nevertheless, they are few, and despite them the book is indispensable.

The volume’s ninety-eight stories (including two written for this edition) are printed in chronological order of publication, which illuminates Ballard’s trajectory. There is something fascinating and poignant about watching various obsessions appear, reappear or come gradually or suddenly into focus: birds, flying machines, ruins, beaches, obscure geometric designs, the often-noted empty swimming pools…

(Nation: China Miéville on J. G. Ballard)

(The Complete Stories of J. G. Ballard)

(China Miéville: Perdido Street Station)

Thanks to Inner Traditions, who sent me this copy of surrealist critic Annie Le Brun’s book The Reality Overload: The Modern World’s Assault on the Imaginal Realm. The book makes the very salient point (one of those ones that seems so obvious in retrospect that I wonder why I didn’t make the connection before—a mark of something being truly important, that it slaps you on the head that hard) that we can link the degradation of the physical world with the degradation of the imaginal one.

A Situationist critique of our current Internet culture, The Reality Overload suggests that we are imagination-impoverished, lost in the endless distraction and meaninglessness of electronic media. That critique has been made before, but linking it to the degradation of the material world is a stroke of genius. What we think, of course, creates the reality we live in. And we tend to think we’re going to get on Facebook after we’re done watching CSI.

Recently I was reading about the Inklings, the discussion group that spawned C. S. Lewis and J. R. R. Tolkien, who would gather in a pub and create fantasy worlds out of the air. Is there any room for this kind of sustained imagination in our world? Hell, even kids these days are playing World of Warcraft instead of Dungeons and Dragons, let alone coming up with their own fantasy worlds. A tailspin of mental stultification… when you have all the information and entertainment you could ever need, the parts of the brain needed for creating those things out of nothing tend to atrophy. Diminishing returns…

An excellent book that makes a much-needed connection. Imagine a world in which we “green” the realm of meaning and fantasy in addition to just the material world!

From the jacket copy:

What underlies the many problems of the modern world—from accelerating rates of extinction and desertification to the increased alienation of the individual—is a reality overload, an increasingly invasive mechanization and homogenization of modern life that glorifies consumption and conformity. This overload has been created from the constant force-feeding of too much information, a phenomenon that dispossesses us of our deepest connections to time, our physical world, and each other.

Annie Le Brun explains that the degradation of the environment mirrors the devastation going on in our minds revealing a link between genetically modified foods and the transformation and decay of our language and communication. There is a direct relationship between the rupture of the great biological balances that govern the planet and the equally devastating rupture in our imaginal realm. The imaginal realm is the home of our dreams and the perceptions that feed our thoughts, individuality, and creativity. Without its influence we are forced to live a drab, alienated lifestyle based on consumption alone. If, as Shakespeare claims, “we are such stuff as dreams are made on,” this theft of our imagination by the reality overload threatens the very foundations of our existence.

(The Reality Overload: The Modern World’s Assault on the Imaginal Realm)

Via Arthur, here’s a great piece on London author Iain Sinclair, whose works I have admired for over ten years now, including ‘White Chappell Scarlet Tracings” and the excellent “London Orbital,” a psychogeographic drift through London.

In London, from the first, I walked. As a film student, newly arrived in the early Sixties, I copied the poet John Clare on his feverish escape from Matthew Allen’s asylum in Epping Forest, when he navigated by lying down to sleep with his head to the north. Skull as compass: all the secret fluids and internal memory-oceans aligned by force of desire. Clare returned, as he thought, to Mary, his first love, his muse; to his heart-place, Helpston, beyond Peterborough, on the edge of the dark fens. My drag was cinema, Bergman seasons in Hampstead, Howard Hawks in Stockwell. Or art: the astonishing Francis Bacon gathering at the old Tate, at Millbank, former prison and panopticon. Bacon’s melting apes were robed like cardinals. Naked men, stitched from photographs, wrestled in glass cages.

Motiveless walking processed the unanchored images that infiltrated dreams of the shadow-belt on either side of the Northern Line. I lodged in West Norwood, a house on a hill, like the one I had left behind in Wales. I wandered through mysterious suburbs to the rooms above the butcher’s shop in Electric Avenue, Brixton, where the school was based. Street markets, I discovered, were a significant part of the substance of this place. Walking was a means of editing a city of free-floating fragments. I composed, privately, epic poems conflating the gilded Byzantium of W.B. Yeats with the slap and strut of Mickey Spillane’s California. London was an impossible relativity of historical periods and superimposed topographies.

(Arthur: Iain Sinclair, Psychogeographer)

(Iain Sinclair: London Orbital)

Isn’t that cover great? Check out psychedelic-Lovecraftian artist John Coulthart’s blog on this lost gem of early gay lib fic:

We had Shock Headed Peters walking through Sodom yesterday so this novel from 1971 seems like a fitting follow-up. The eye-catching title is no doubt an allusion to Byron’s description of Turkish baths as “marble palaces of sherbet and sodomy”, an epithet which one imagines sent generations of sweet-toothed Uranians trekking to Constantinople throughout the 19th century. I’d seen the cover of this book before on sites which collect the gay fiction of the late Sixties and early Seventies—that doubly-phallic tower makes a good match for the cover of Bugger Boy—but I don’t recall reading a description of the contents before. Homobilia has an extract from the opening page:

My name is Jud. I am eighteen and a half. I was born from the felicitous conjunction of an anthropologist and an ethnologist under the sign of Capricorn. I have been called cute, handsome, pretty, and good-looking; actually, I am beautiful… my nose is classically English, along the line of Reynolds, maybe with a little Caravaggio thrown in around the nostrils. My athletic adolescence on the swimming team at Sterling High has given me a slender muscular body… my eyes are South Pacific blue. I have read Hesiod. I masturbate regularly. I have no concept of money or its value. I try to keep my farts silent. I have juvenile down on my ass. I have read the minor Elizabethan poets and I have looked at my anal sphincter in the mirror. Until last week I considered myself heterosexual…

(John Coulthart: Sherbet and Sodomy)

(Songs of the Black Wurm Gism: The Starry Wisdom Part 2)

While I recognize that linking from Letters of Note has become dreadfully gauche (I think every blogger in the world thought they were the first person to discover and re-link from the site, including me), I couldn’t resist this Harlan Ellison broadside. This is light on the Ellison-Reams-Publisher meter. (My favorite story is of him mailing dozens of bricks COD to a publisher until they took their ads out of his book!)

HARLAN ELLISON

12 February 92

Dear Amy:

You may use this on Connie’s new book. In full, no ellipses, no altering for any edition. And send me a copy of the book, please. And warn the troll drones in your art and publicity departments that if they fuck around with the quote, change it or alter it for a meaning not intended, I will come and find them and kill them so dead I’ll murder their ancestors!

Charmingly,

(Signed)

“The writing of Connie Willis is irresistable. Clever, cunning, and capable of tantalizing the most demanding reader.”

HARLAN ELLISON

(Letters of Note: Harlan Ellison)

(Harlan Ellison’s Books)

The Guardian reports on literature’s weirdest drugs, starting from that beaten-like-a-dead-guy-on-Horse motherlode Naked Lunch.

News of a documentary about the life of William Burroughs sent me scurrying – giant bug-style – back to his most celebrated work, Naked Lunch. Actually, it was more of a tentative crawl, because this was and remains the most difficult book I’ve ever encountered.

Maybe I’m about to commit hara kiri on my intellectual/literary credibility – such as it is – but I must confess: I find Naked Lunch pretty much unreadable. And not in the Dan Brown/misery lit/sleb memoir sense: I could read those if I had to, I just wouldn’t enjoy it.

But Naked Lunch, my God … It’s like someone swallowed the diaries of a hallucinating lunatic and vomited the resultant mess into your ears, stomach bile and all. While I can admit Burroughs was an important and seminal (pun probably not intended) writer, I can’t read Naked Lunch without feeling queasy. And I can’t finish it.

Lord knows I’ve tried. I wrestled with it again just this week. But once more this slim volume defeated me, forcing me to pound the mat and yell, “No more!” I felt as exhausted and brain-fried as someone coming out the far end of a two-week bender, but without any of the pleasurable memories.

Each time I get about halfway through, battling each disconnected sentence, all that disturbing weirdness, trying to mentally force some kind of shape onto these brilliant, demented ramblings, and then … I don’t know. I run out of energy, maybe. Or interest. Or time. Or willingness to engage with the most grotesque and unsettling imagery this side of a prog rock album covers compendium. (The specific line this time round, the literary straw that broke my camel’s back, was: “Mold odors of atrophied testicles quilted his body in a fuzzy grey fog …” I’m not sure which disturbs me more: the horrible vision conjured up, or the annoying spelling of “mould” and “odours”.)

(Guardian: Lit’s Most Mind-Blowing Drugs)

(Naked Lunch: 50th Anniversary Edition)

Alejandro Jodorowsky—well known to readers of this site as the director of El Topo, Santa Sangre, The Holy Mountain and several other film reels of symbolic dementia, is also one of the world’s most recognized experts on the Tarot, which he has studied as a tool of self-exploration and transformation for almost 60 years. Destiny Books just released the English translation of his 500-page magnum opus The Way of Tarot, which summarizes his work with the cards. Interestingly, Jodorowsky works with the old European deck—the Marseilles Tarot—which far predates the more commonly used Rider-Waite or Thoth packs. Looks like absolutely essential reading for fans of the man and the tarot alike.

From the promo copy:

Alejandro Jodorowsky’s profound study of the Tarot, which began in the early 1950s, reveals it to be far more than a simple divination device. The Tarot is first and foremost a powerful instrument of self-knowledge and a representation of the structure of the soul.

The Way of Tarot shows that the entire deck is structured like a temple, or a mandala, which is both an image of the world and a representation of the divine. The authors use the sacred art of the original Marseille Tarot—created during a time of religious tolerance in the 11th century—to reconnect with the roots of the Tarot’s Western esoteric wisdom. They explain that the Tarot is a “nomadic cathedral” whose parts—the 78 cards or “arcana”—should always be viewed with an awareness of the whole structure. This understanding is essential to fully grasp the Tarot’s hermetic symbolism.

The authors explore the secret associations behind the hierarchy of the cards and the correspondences between the suits and energies within human beings. Each description of the Major Arcana includes key word summaries, symbolic meanings, traditional interpretations, and a section where the card speaks for itself. Jodorowsky and Costa then take the art of reading the Tarot to a depth never before possible. Using their work with Tarology, a new psychological approach that uses the symbolism and optical language of the Tarot to create a mirror image of the personality, they offer a powerful tool for self-realization, creativity, and healing.

(Read an excerpt here.)

(The Way of Tarot: The Spiritual Teacher in the Cards)

 
Have you been keeping up with Scott Timberg’s excellent multi-part article about Philip K. Dick’s time spent in the most conservative county—that would be the O.C.—in America? From part 3:

Orange County, he wrote, was far to the south of us, an area so reactionary to us that in Berkeley it seemed like a phantom land, made of the mists of dire nightmare Orange County, which no one in Berkeley had ever actually seen, was the fantasy at the other end of the world, Berkeley opposite.

Kidding aside, there were certainly times when suburban SoCal, and life as a married father, didn’t satisfy him. I hadn’t realized before how [expletive] dumb and dull and futile and empty middle-class life is, he wrote in a 1975 letter. I have gone from the gutter (circa 1971) to the plastic container.

Dick’s supposed paranoia didn’t wane during these years: As often happened, the culture and American history caught up with him. Dick was fond of pointing out that the Watergate trials validated his obsession with conspiracy. Tessa, who is hoping to run for Congress as a Libertarian, says that his distrust of the government and fear of the police state increased during his decade in Southern California.

Lethem, editor of Dick’s Library of America volumes, called this a period where he seems less grounded in place. From the evidence of Dick’s work, Lethem said, it’s a time of very strong alienation from any real environment it’s about Disneyland, about condos where you park your car under the building, where you barely get to know your neighbors. It was about Nixon. It’s almost like Dick was a spy in Orange County a mole within the culture.

 
Philip K. Dick, an uneasy spy inside 1970s suburbia (Hero Complex/Los Angeles Times)

 
Sad to hear this:

Howard Zinn, an author, teacher and political activist whose leftist “A People’s History of the United States” became a million-selling alternative to mainstream texts and a favourite of such celebrities as Bruce Springsteen and Ben Affleck, died Wednesday. He was 87.

Zinn died of a heart attack in Santa Monica, California, daughter Myla Kabat-Zinn said. The historian was a resident of Auburndale, Massachusetts.

Howard Zinn, author of ‘People’s History’ and left-wing historian, dies at 87 in California

 
In his 60+ years on Earth, Mick Farren has worn many hats. He’s one of the founders of the “underground” press in Britain, he was the doorman at the psychedelic UFO Club (where Pink Floyd and the Soft Machine got their starts), a political activist, a well-respected science fiction novelist, a TV and media columnist, a poet, and, not least, he was the lead singer of the proto-punk band, The Deviants. His autobiography Give the Anarchist a Cigarette is an indispensable volume in any library about the ‘60s and ‘70s. In short, the man is a counterculture legend, and one of the last of the “gonzo” journalists.

Saturday night, Farren will be reading at La Luz de Jesus Gallery from his recently published anthologyZones of Chaos (which features an introduction by sci-fi great Michael Moorcock) accompanied by fellow Deviant, guitarist Andy Colquhoun.

La Luz de Jesus Gallery, 4633 Hollywood Blvd, Saturday, Jan. 23, 2009, 6 ?��Ǩ��� 9 p.m., (323) 666-7667
 

Recently finished Martin Starr’s epic “The Unknown God: W.T. Smith and the Thelemites,” published by Teitan Press, an immaculately researched history of Aleister Crowley’s neo-religion Thelema after Crowley’s personal story trails off. Crowley’s life has been documented ad nauseum, what hasn’t been is the history of his ideas after his death and what happened to the people who took them seriously (“By their works shall ye know them”). Martin Starr fixes that historical oversight here, providing fascinating insights not only into occultism during the two World Wars (including all the bickering infighting between the various occult orders?��Ǩ���like Freemasonry, Theosophy, AMORC, Self-Realization Fellowship and others?��Ǩ���over who would be top dog) but also into the weirdo Californian spiritual climate that led up to the sixties.

Here’s the jacket copy:

The first documentary study of Aleister Crowley’s contemporary followers in North America, told through the life of their de facto leader, Wilfred Talbot Smith (1885-1957). Smith, the unacknowledged offspring of a prominent English family, emigrated to Canada where he met Charles Stansfeld Jones and through him, the works of Aleister Crowley. Although Crowley and Smith met only once, their twenty year correspondence proved to be a major link to the few and the faithful attracted to Crowley’s work in the United States and Canada. Smith’s spiritual life centered first on the initiatic structure of the Order of the A.?Ǭ?.A.?Ǭ?., complemented by the emerging fraternal and social schemes of the Ordo Templi Orientis (OTO). Smith followed Jones into a few long-forgotten movements like the Universal Brotherhood and the Psychomagian Society, but he declined membership in C.F. Russell’s Choronzon Club.

To promulgate the Crowleyan teachings, in 1934 Smith incorporated his own “Church of Thelema”—known to Los Angeles newspaper readers as the “Purple Cult.” The following year he initiated OTO activity in Los Angeles which attracted its own cast of occult characters. Smith’s life reached a strange conclusion when Crowley, taking a page from Louis Bromfield’s novel, THE STRANGE CASE OF MISS ANNIE SPRAGG, which explored “the twin mysteries of love and religion and the confusion that lies between” and combining it with a reading of Smith’s natal chart, sent him off on a retreat to determine which God he was incarnating. It was a journey from which Frater 132 never returned…

THE UNKNOWN GOD is a fascinating and complex human story, intimately interwoven with the lives of most of Crowley’s disciples in the United States including C.F. Russell Jane Wolfe, Max R. Schneider, Jack Parsons, Louis T. Culling, Frederic Mellinger and Grady L. McMurtry as well as occult teachers like H. Spencer Lewis (AMORC) Paul Foster Case (BOTA), and Wayne Walker (OM), Hollywood actors such as John Carradine and even the founder of the Mattachine Society, Harry Hay. Students of 19th and 20th century esoteric movements, including the Hermetic Order of the Golden Dawn, the Theosophical Society and the Crowley-derived organizations, will find THE UNKNOWN GOD worth reading.

The book focuses on Wilfred Smith, a protege of Crowley’s “magical son” Frater Achad who would become the connecting thread for Thelema in America; a railway worker present at the initial founding of the OTO (Crowley’s primary cult) in Vancouver, Smith goes on to head the OTO in Los Angeles in the 40s and 50s in time for young rocket scientist Jack Parsons to show up and do the occult equivalent of wailing on his Stratocaster so hard that nobody else can hear or talk over it.

We get the antics of Smith, Achad, Parsons, Phyllis Seckler, Jane Wolfe, Karl Germer and, of course, Aleister Crowley, who can do little more than flame people via snail mail from England (where he has been confined by the government) after getting constantly irritated at their magical pratfalls and mysterious reticence to keep sending him regular smack money. With high ideals, high spirits, and just plain being high, the Thelemites work to establish their magical empire ceaselessly but the mantra seems to be “let the bodies hit the floor”... wife-swapping, ego-clashes, psychotic breaks, scapegoating, in-fighting, paranoia over “magical attacks,” and just plain cultiness constantly dog their heels. While the early Christians were fed to the lions, the early Thelemites seem to have done the job themselves by feeding themselves to they own bad selves.

This is essentially the history of “OTO Mark 1” in America; the group would go dormant after the death of Parsons until it was resurrected by Grady McMurtry in the late 60s as a wholly new organization. (Kenneth Grant’s group in the UK, of course, was a wholly different matter with wholly different goals.)

Great stuff for those interested in Crowley, religion, cults or Californian history. I had to read it in only a few sittings, Nobody has tried a book like this before, and it cuts straight to the heart of the bullshit around Crowley just perfectly, showing the reality of what went on in the physical world, not the mythology lived on other planes. Excellent, excellent book.

(Amazon: The Unknown God: W.T. Smith and the Thelemites)

(Google Books: The Unknown God)

(Previously on Dangerous Minds: California Screaming)

 
Wonderful short essay from Christopher Hitchens, writing about British novelist J.G. Ballard on the occasion of the publication of The Complete Stories of J. G. Ballard.

From The Atlantic:

For all that, Ballard is arguably best-known to a wide audience because of his relatively ?��Ǩ?�straight?��Ǩ�� novel, Empire of the Sun, and the resulting movie by Steven Spielberg. Some of his devotees were depressed by the literalness of the subject matter, which is a quasi-autobiographical account of being 13 years old and an inmate in a Japanese internment camp in Shanghai. It?��Ǩ�Ѣs not possible to read that book, however, and fail to see the germinal effect that experience had on Ballard the man. To see a once-thriving city reduced to beggary and emptiness, to live one day at a time in point of food and medicine, to see an old European order brutally and efficiently overturned, to notice the utterly casual way in which human life can be snuffed out, and to see war machines wheeling and diving in the overcast sky: such an education! Don?��Ǩ�Ѣt forget, either, that young Ballard was ecstatic at the news of the atomic obliteration of Hiroshima and Nagasaki, an emotion that makes him practically unique among postwar literati. Included in this collection is a very strong 1977 story, ?��Ǩ?�The Dead Time,?��Ǩ�� a sort of curtain-raiser to Empire?��Ǩ���Ballard?��Ǩ�Ѣs own preferred name for his book?��Ǩ���in which a young man released from Japanese captivity drives a truckload of cadavers across a stricken landscape and ends up feeding a scrap of his own torn flesh to a ravenous child.

Readers of Ballard?��Ǩ�Ѣs memoir, Miracles of Life” title=“Miracles of Life”>Miracles of Life (a book with a slightly but not entirely misleading title) will soon enough discern that he built on his wartime Shanghai traumas in three related ways. As a teenager in post-war England he came across first Freud, and second the surrealists. He describes the two encounters as devastating in that they taught him what he already knew: religion is abject nonsense, human beings positively enjoy inflicting cruelty, and our species is prone to, and can coexist with, the most grotesque absurdities. What could have been more natural, then, than that Ballard the student should devote himself to classes in anatomy, spending quality time with corpses, some of whom, in life, had been dedicated professors in the department. An astonishing number of his shorter works follow the inspiration of Crash, also filmed, this time by David Cronenberg, in morbid and almost loving accounts of ?��Ǩ?�wound profiles,?��Ǩ�� gashes, fractures, and other inflictions on the flesh and bones. Fascinated by the possibility of death in traffic, and rather riveted by the murder of John Kennedy, Ballard produced a themed series titled The Atrocity Exhibition, here partially collected, where collisions and ejaculations and celebrities are brought together in a vigorously stirred mix of Eros and Thanatos. His antic use of this never-failing formula got him briefly disowned by his American publisher and was claimed by Ballard as ?��Ǩ?�pornographic science fiction,?��Ǩ�� but if you can read ?��Ǩ?�The Assassination of John Fitzgerald Kennedy Considered As a Downhill Motor Race?��Ǩ�� or ?��Ǩ?�Why I Want to Fuck Ronald Reagan?��Ǩ�� in search of sexual gratification, you must be jaded by disorders undreamed-of by this reviewer. Both stories, however, succeed in being deadpan funny.

 
The Catastrophist

Thank you Alex Burns!