A few weeks back, regarding Jacques Demy’s Model Shop, I wrote about my fascination with the great European directors crossing the Atlantic to reign in and make sense of ‘60s America.  Resigning himself to merely making a film called Made In U.S.A., Jean-Luc Godard resisted the impulse.  Michelangelo Antonioni, most spectacularly with Zabriskie Point, did not.
 

 
As hatched by a team of writers that included Sam Shepard, and wife of Bernardo Bertolucci, Clare Peploe, the plot of Zabriskie Point wasn’t terribly complex.  Rebel Angelenos (my favorite kind!) Daria Halprin and Mark Frechette (who go, in the film, by their real names), hook up in the desert, have sex in the sand, then separate to meet their own explosive ends.

More complex, though, was the anger and confusion the film provoked at the time.  Typically gorgeous cinematography aside, cineasts looking for a worthy philosophical successor to Blow-Up were left disappointed by Zabriskie’s relatively unnuanced take on capitalism.  Hollywood watchers were appalled that Antonioni squandered so much time and money ($7 million in 1970 dollars) on something that, despite it’s notorious “desert orgy” sequence, managed to rake in barely a million hippie-box-office dollars.

Fortunately, 5 years later, Antonioni secured cinematic redemption with The Passenger.  Daria Halprin acted in only a handful of films, but went on to become, briefly, Mrs. Dennis Hopper.  After her marriage to Hopper fizzled, Halprin developed an interest in art therapy, and now, with her mother, runs Marin County’s Tampala Institute.

The future was far less kind to Mark Frechette.  You can read the Rolling Stone article about his “sorry life and death” here, but the shorthand goes like this:

He was the apparent victim of a bizarre accident in a recreation room at the Massachusetts Correctional Institution at Norfolk, where Frechette had been serving a six- to 15-year sentence for his participation in a 1973 Boston bank robbery.

Frechette’s body was discovered by a fellow inmate early on the morning of September 27th pinned beneath a 150-pound set of weights, the bar resting on his throat.  An autopsy revealed he had died of asphyxiation and the official explanation is that the weights slipped from his hands while he was trying to bench press them, killing him instantly.

What the above leaves out, though, is that prior to his incarceration, Frechette was living in a commune run by American cult leader Mel Lyman.  The entirety of Frechette’s Zabriskie earnings were tithed to Lyman’s “Family,” and it’s presumed that whatever money Frechette hoped to abscond with post-robbery would have wound up there as well.

Before all this, though, back when television talk show guests could still indulge in a cigarette, Halprin and Frechette found themselves—along with Mel Brooks and Rex Reed—on The Dick Cavett Show.

As you can watch below, Cavett had yet to see Zabriskie Point—and Frechette makes him pay for it.  In defending Lyman, Frechette also goes on to argue the fine line between “commune,” and “community.”

 
Trailer for Zabriskie Point: Where A Boy And A Girl Meet And Touch And Blow Their Minds!

 
(Above, Gore Vidal visits “Mary Hartman” (Louise Lasser) in the mental hospital on the Mary Hartman, Mary Hartman soap opera)
 
I have revered Gore Vidal my entire life. He’s a great writer and he’s a great American, perhaps THE great American gadfly amongst men of letters. The older he gets, the more spiteful he becomes about the state of this country. Interviews with Vidal in recent years fall into one of two categories, sometimes they’re terribly amusing, but alarming, other times just alarming. Lately, he’s really letting it rip. He’s 83, why should he pull any punches? In this long interview from London, a cranky Vidal holds forth on the Obama presidency with a jaundiced eye:

Gore Vidal is not only grieving for his own dead circle and his fading life, but for his country. At 83, he has lived through one third of the lifespan of the United States. If anyone incarnates the American century that has ended, it is him. He was America’s greatest essayist, one of its best-selling novelists and the wit at every party. He holidayed with the Kennedys, cruised for men with Tennessee Williams, was urged to run for Congress by Eleanor Roosevelt, co-wrote some of the most iconic Hollywood films, damned US foreign policy from within, sued Truman Capote, got fellated by Jack Kerouac, watched his cousin Al Gore get elected President and still lose the White House, and ?��Ǩ��� finally, bizarrely ?��Ǩ��� befriended and championed the Oklahoma bomber, Timothy McVeigh.

Yet now, he says, it is clear the American experiment has been “a failure”. It was all for nothing. Soon the country will be ranked “somewhere between Brazil and Argentina, where it belongs.” The Empire will collapse militarily in Afghanistan; the nation will collapse internally when Obama is broken “by the madhouse” and the Chinese call in the country’s debts. A ruined United States will then be “the Yellow Man’s Burden”, and “they’ll have us running the coolie cars, or whatever it is they have in the way of transport”.

A Scotch is fetched for him as he is wheeled into the corner of the bar. “I was like everyone else when Obama was elected ?��Ǩ��� optimistic. Everything we had been saying about racial integration was vindicated,” he says, “but he’s incompetent. He will be defeated for re-election. It’s a pity because he’s the first intellectual president we’ve had in many years, but he can’t hack it. He’s not up to it. He’s overwhelmed. And who wouldn’t be? The United States is a madhouse. The country should be put away ?��Ǩ��� and we’re being told to go away. Nothing makes any sense.” The President “wants to be liked by everybody, and he thought all he had to do was talk reason. But remember ?��Ǩ��� the Republican Party is not a political party. It’s a mindset, like Hitler Youth. It’s full of hatred. You’re not going to get them aboard. Don’t even try. The only way to handle them is to terrify them. He’s too delicate for that.”

When he compares Obama to his old friend Jack Kennedy, he shakes his head. “He’s twice the intellectual that Jack was, but Jack knew the great world. Remember he spent a long time in the navy, losing ships. This kid [Obama] has never heard a gun fired in anger. He’s absolutely bowled over by generals, who tell him lies and he believes them. He hasn’t done anything. If you were faced with great problems in chemistry ?��Ǩ��� to find the perfect gas, to gas a population ?��Ǩ��� you won’t know for a long time whether it works. You have to go by what people tell you. He’s like that. He’s not ready for prime time and he’s getting a lot of prime time on his plate at once.”

Is there any hope? “Every sign I see is doom. But then people say” ?��Ǩ��� he adopts a whiny, nasal voice ?��Ǩ��� “‘Oh Mr Vidal, you’re so negative, can’t you say something nice about America? It’s a wonderful country, everybody wants to live here.’ Oh yes? When was the last time you saw a Norwegian with a green card who wanted to come here because of the health service? I’ll pay you if you can find one.”

 
Gore Vidal feuds with Norman Mailer on The Dick Cavett Show
 

 
The famous incident where Gore Vidal faced off against William F. Buckley during the 1968 Democratic National Convention in Chicago. Apparently calling someone you disagree with politically a Nazis obviously isn’t anything new!
 

Gore Vidal’s United States of fury