“Sister Morphine” herself, singer, songwriter, actress, author—and goddess—Marianne Faithfull turns 65-years-old today.
Below, a stunning young Marianne Faithfull sings an a cappella version of “As Tears Go By” in Jean-Luc Godard’s 1966 film, Made in USA., as Anna Karina looks on.
This, as DM pal, film-maker Alessandro Cima, writes: “might be the most beautiful film you will see all year.” It’s Derek Jarman’s Broken English, his superb interpretation of three tracks by Marianne Faithfull - “Witches Song,” “The Ballad of Lucy Jordan” and “Broken English”.
As Mr Cima writes:
The montage and superimposition going on in this film is simply stunning. It’s full of dark pagan ritual, sex, violence, romance, adoration, and mystery.
Frank Zappa and various GTOs
Say what you will about Facebook but the fact that I can befriend life long heroes such as Zappa/Beefheart LP sleeve designer / visual muse Cal Schenkel and get a glimpse of his middle-of-it-all perspective is a wonderful by-product of selling out my privacy to gawd-knows who, really. Cal was gracious and generous enough to allow me to share these marvelous snapshots he took in 1968 at Zappa’s Laurel Canyon compound, known as The Log Cabin which once stood at the corner of Canyons Laurel and Lookout. The basement jam session here was also well documented in John French’s recent book as well as Bill Harkleroad’s Lunar Notes
It turns out Frank was trying to put together this Rock ‘n’ Roll Circus thing, which The Stones later put together without him. I don’t know how many Rolling Stones were there at the time, but Mick Jagger certainly was, as were The Who and Marianne Faithfull. She was so ripped she was drooling - but what a babe - I was star struck! It was funny because Jagger really didn’t mean a whole lot to me at that point. I’d played all their tunes in various bands. To me he really wasn’t a signer - he was a “star”. But when I actually met him, all I can remember thinking is, “How could you be a star? You’re too little!” ....I ended up in this jam session in a circle of people about six or seven feet apart and we’re playing Be-Bop-a-Lu-La”! Done was to my immediate left wearing his big madhatter hat and to his immediate left was Mick Jagger and right around the circle all these people were playing, Frank included. So I’m jamming with these guys almost too nervous to be able to move or breathe. I started to ease up after I noticed that Jagger seemed to be equally intimidated. Then we went into Muddy Waters’ “Rollin’ & Tumblin’” and a couple of blues things and that was it. It was such a strange experience - somehow just out of nowhere I’m down in Hollywood meeting Frank Zappa and this whole entourage of famous people like Jagger, Marianne Faithful [sic] and Pete Townshend. What an audition! There I was 19 years old and I’m very taken with these big important people.
Don Van Vliet and Mick Jagger
Marianne Faithfull
FZ and Miss Christine
More photos and a link to Cal’s online shop after the jump…
Marianne Faithfull sings “Hier ou Demian” (“Yesterday or Tomorrow”) in a scene from the incredible 1967 French TV movie musical, Anna. Directed by Pierre Koralnik, and with songs written by Serge Gainsbourg (who also appears in the film). Anna starred Godard muse Anna Karina. The film is practically a pop art, musical paen to her beauty. Suits me fine!
I’ll be posting more about Anna in the future, but for now savor this short clip of a gorgeous young Marianne Faithful, who never looked better (and that’s saying a lot), singing a Gainsbourg-penned tune. What more could you ask for? The entire film? Well, you’re in luck, because you can purchase a copy of Anna (with English subtitles) from Mod Cinema.
Via PCL Linkdump
These are just stunning! Stunning! I certainly wouldn’t mind owning one of those fantastic Zappas. From the artist Lisa Brawn:
I have been experimenting with figurative woodcuts for almost twenty years since being introduced to the medium by printmakers at the Alberta College of Art and Design. Recently, I have been wrestling with a new challenge: five truckloads of salvaged century-old rough Douglas fir beams from the restoration of the Alberta Block in Calgary and from the dismantling of grain elevators. This wood is very interesting in its history and also in that it is oddly shaped. Unlike traditional woodcut material such as cherry or walnut, the material is ornery. There are holes and knots and gouges and rusty nails sticking out the sides.
To find suitably rustic and rugged subjects, I have been referencing popular culture personas and archetypes from 1920s silent film cowboys to 1970s tough guys. I have also been through the Glenbow Museum archives for horse rustlers, bootleggers, informants, and loiterers in turn-of-the-century RCMP mug shots for my Quién es más macho series. Cowgirl trick riders and cowboy yodelers in their spectacular ensembles from the 1940s led to my Honky-Tonkin, Honey, Baby series. Inspired by a recent trip to Coney Island, I have been exploring vintage circus culture and am currently working on a series of sideshow portraits including Zip the Pinhead and JoJo the Dog-faced Boy. There is also an ongoing series of iconic gender archetypes, antiheroes and divas, which includes such portraits as Sophia Loren, Maria Callas, Edith Piaf, Jackie Onassis, Steve McQueen, and Clint Eastwood.
Please visit Lisa Brawn’s website to view hundreds of amazing woodcuts.
(via Everlasting Blort)
Marianne Faithfull and David Bowie performing ‘I Got You Babe’ at London’s Marquee in 1973. This was filmed for American TV show The Midnight Special and was Bowie’s last appearance as Ziggy Stardust.
Faithfull’s nun habit created a bit of a scandal when the show was aired. Her other habit, heroin, may explain her somewhat disengaged performance that night.
From the Ziggy Stardust Companion:
The last song - “I Got You Babe” was a duet sung with Marianne Faithful and was filmed at about 10pm at night. Bowie warned the audience - “This isn’t anything very serious. Its just a bit of fun - we’ve hardly even rehearsed it.” Bowie’s costume for this song was the bright red PVC corset, PVC thigh-length stiletto boots and two black chest-hugging feathers (he was The Angel of Death), while Marianne Faithful was dressed as a decadent nun with cowl and a black backless cape, which left her bottom exposed to the audience as she quickly ran off stage at the end of the performance.
I’ve written here before about how I used to go fanatically out of my way to collect memorabilia related to the movie Candy, in particular items emblazoned with photos of the film’s titular heroine, who was played by the comely Ewa Aulin, a one-time Miss Teen Sweden. Candy, which I didn’t actually see until much later was a “holy grail” movie for me, but when I saw it, my opinion was not favorable. (Nothing could have lived up to my high expectations to begin with, but Candy really sucked. But this isn’t about Candy, you can read what I wrote about that film here).
Another 60s goddess who I have a ridiculous amount of photos, movie posters, picture sleeve records, sheet music and even fine art photographic prints of, is Marianne Faithfull. Of all of my pantheon of 60s goddesses (Ursula Andress, Paula Prentiss, Francoise Hardy, Racquel Welch, Jane Birkin, Sandie Shaw, Joni Mitchell, P.P. Arnold, Claudine Longet) I’d have to say that Faithfull is, by quite a wide margin, my #1 favorite. Quite simply, there was no female anywhere on the planet as cool and as sexy as she was during the 60s. She was born with one of the most classically beautiful faces of all time and she just had that look which embodied the era as no other woman’s look or style could. A goddess, she was and still is.
A film titled Girl on a Motorcycle, alternatively known as Naked Under Leather, was made in 1968 to capitalize on Faithfull’s libertine reputation, acquired as the result of her having only a fur rug wrapped around her otherwise naked body during a drug bust at Keith Richard’s home the year before. In the film, Faithfull famously wears a black-leather catsuit with fur lining. Meow.
There’s not a whole lot of dialogue and even less plot in Girl on a Motorcycle. In a nutshell, Faithfull plays a young woman bored in her marriage who decides to escape, riding through the European on a motorcycle to meet her lover (Alain Delon). The audience hears her thoughts and existential musings. There are some spicy sex scenes with Delon that earned the tame-by-today’s-standards film, an X rating. It’s a little hard to follow and doesn’t make a whole lot of sense, but who cares? That’s not why you’re watching it anyway.
What we basically have in Girl on a Motorcycle is one of the quintessential Swinging 60s time capsule relics of psychedelic sexploitation. Is it a “good movie”? No. Is it a feast for the eyes. YES, indeed it is, and not just because of the gorgeous Ms. Faithfull, either. The European scenery is also brilliantly captured by director Jack Cardiff, a well-respected cinematographer who also shot classic films like The African Queen, The Red Shoes and Black Narcissus (Not to mention Rambo: First Blood II). There’s also the psychedelic jazz score from Les Reed to recommend the film.
In summation: Girl on a Motorcycle, it’s 90 minutes of great shot after shot of one of the hottest women ever born riding a motorcycle in a leather catsuit or else having that same catsuit removed by a Frenchman’s teeth. With great music and some solarized psychedelic stuff thrown in for good measure (and to foil censors). The end.
This is the trailer for Girl on a Motorcycle. Picture this going on for about 90 minutes and… you’ll get the idea:
Here’s a page with lots of photos and scans of the many, many different movie posters that were made for this film. I have owned many of these myself. Note, in particular, the Czech and Japanese ones mid-way down the page. This is the kind of thing that I set up Ebay alerts for. (Cinebeats)
Since we can’t all make it to Stonehenge, here’s Dangerous Minds muse, Marianne Faithfull, to welcome in the longest day of the year! Summer Nights was released two singles after As Tears Go By, and the below performance dates from Faithfull’s September, ‘65 appearance on Shindig. Ahh, such a sweet voice back then coming from the great great niece of Venus In Furs scribe, Leopold von Sacher-Masoch!
The greatest music video ever filmed? Perhaps, perhaps. Marianne Faithfull sings. Derek Jarman directs.
Another warning to the youth of today from the regal statesmen of the counterculture.
Aaaand with that I believe that the Dangerous Minds Stones Quota has officially been broken.
Marianne Faithfull and Anita Pallenberg, as God and the Devil, debate the legacy of the Sixties on Absolutely Fabulous, in a clip that is perhaps the greatest creation of all human endeavor ever.
Beautiful, erotic, phantasmagoric, the films of Kenneth Anger are a national treasure. Mick Jagger, Jimmy Page, Marianne Faithfull, Anton LaVey, and a parade of other 60s luminaries collaborate on this selection of short films. They range from rich mystical imagery and visual essays of psychedelic color to insider documentary footage of bikers and a glittering love letter to early black and white film. Bring blankets, picnic dinner and drinks for the lawn. Please join us under the stars for this very special screening with one of our most legendary filmmakers.
Sunday, July 19th
Hollywood Forever Cemetery
6000 Santa Monica Blvd (at Gower)
Gates 7:30 pm movie 9:00 pm
$10 donation tickets available at gate
Parking available inside