Here’s a 35 minute recording of Roxy Music playing live at the Paris Theatre, London in 1972, which was broadcast on BBC radio in September of the same year.
[this was] previously available only on dreadful, tinny bootleg LPs but is now in pristine sound quality, and with an extra track - a fantastically intense version of The Bob (Medley.)
Tracklist:
1. The Bob (Medley)
2. The Bogus Man Part 2
3. Sea Breezes
4. Virginia Plain
5. Chance Meeting
6. Re-Make/Re-Model
HARDTalk is an in-depth interview program from BBC News, something akin to Larry King Live with a sit down, face-to-face, half hour format (perhaps there’s a better reference point here, but my knowledge of American news broadcasters is limited.) In this edition, which aired last week, host Stephen Sackur talks to Alan Moore, who may be a hero to many but is still a fringe presence in this kind of mainstream news setting.
Moore has nothing in particular to promote, so this isn’t a kiss-ass puff piece, and being a “serious” show there is no talk of magic and mysticism. Instead, Sackur picks issue with Moore’s characterisation of the comics industry as gangsters, and has pertinent questions to ask him about the subjects of his works Lost Girls and V For Vendetta. Moore responds very well to being taken this seriously, answering with an unusual frankness and striking honesty:
HARDTalk with Alan Moore (part 1)
HARDTalk with Alan Moore (part 2) is after the jump…
A special treat this Sunday for all our disco-fan readers outside the UK, The Joy Of Disco is a BBC documentary about that much derided music genre that seemed to come out of nowhere to change the world in the late 70s.
I’ve seen a lot of documentaries about disco, and this is undoubtedly one of the best. Featuring new interviews with many of the key players (Giorgio Moroder, Nile Rodgers, Nona Hendryx, David Mancuso, Tom Moulton, Kathy Sledge, Nicky Siano and lots more) and some great, rare footage of top nitespots like The Gallery and Studio 54, this is a real treat for the disco fanatic.
But what really makes The Joy Of Disco so good (and well worth a watch, even if you are not a disco fan) is the placing of the music in its proper historical and social context. Disco was black, urban music that became the soundtrack to the gay liberation movement and, according to the program makers:
foregrounded female desire in the age of feminism and led to the birth of modern club culture as we know it today, before taking the world by storm.
All up to the (seemingly inevitable) racist and homophobic “Disco Sucks” backlash. That put paid to the faddishness of the genre, but ultimately, by driving it back underground to the gay and black clubs that spawned it, helped make it stronger than ever and actually did very little to kill the sheer joy of the music itself.
The Joy Of Disco explores these issues in the kind of detail they deserve. It aired on BBC4 on Friday night, and some industrious soul has already put it up on YouTube to share the love (yes, it’s another case of get it before it’s gone). This is highly recommended viewing - you won’t see anything this interesting, exciting or fabulously funky on your screens this evening:
Like every blog, Dangerous Minds has had our fair share of trolls, and I’ve always been curious as to what these anonymous dickheads look like, where they live, what sort of abuse they suffered in childhood and all that…
But did the BBC take it too far by tracking down this disagreeable gentleman and publicly outing him? You guys weigh in the comments.
Here’s a little curio from the BBC’s back catalog, an episode of the early 80s pop music quiz show “Pop Quiz’, featuring Morrissey and Phil Lynnot on opposing teams, presided over by uber-cheesey radio DJ Mike Reid (I’m loving his shirt). Phillo seems quite relaxed and in good spirits on this program, while unfortunately the same cannot be said for Steven Patrick “Life Of The Party” Morrissey. From the Slicing Up Eyeballs blog:
In an interview with The Face published in July 1984, Moz said, “‘Pop Quiz’ was unbearable. I realized it was a terrible mistake the moment the cameras began to roll. … I just squirmed through the program. I went back to my dressing room afterwards and virtually felt like breaking down, it had been so pointless. I felt I’d been gagged.”
Oh dear. Life is just so fucking hard for poor old squirming Moz.
Pop Quiz, featuring Phil Lynnot, Morrissey & Kim Wilde pt 1:
After the jump Pop Quiz, featuring Phil Lynnot, Morrissey & Kim Wilde, pt 2…
As mainstream radio in the UK gets steadily worse, as exposure opportunities for the genuinely interesting and different quickly disappear, and as lowest common denominator fodder like X Factor begins to limit the power of music in the popular imagination, he is missed now more than ever.
In the absence of one unifying national media platform it’s unlikely that we will ever see his like again, though I feel that through his influence, and the proliferation of music websites and blogs, we are all a bit Peelie now. Proof of the man’s legacy is that the anniversary of his passing has become an annual day of celebration, with gigs, radio shows, record fairs and even specific releases happening in his honor, every 25th of October. And this is a good thing, a very good thing.
So in memoriam, here’s a clip from a 2005 BBC program where various artists and radio djs posthumously rifle through his (typically eclectic) record box:
John Peel’s Record Box
After the jump, John Peel’s ‘Sound of the Suburbs’, Jimi Hendrix playing a Radio 1 jingle for Peel’s show in the late 60s, Peel on the assassination of JFK (which he reported on from Dallas for the Liverpool Echo), and an interview where Peel talks about the influence of punk, how its natural home is in the suburbs, and how scenes get co-opted by a jaded music press…
Taken in conjunction with “Gordon Ramsay Sex Dwarf eaten by Badger” which Tara posted earlier today, it looks like the news has been getting pretty weird lately. But Tara and I have been discussing which of these two headlines are better. She still opts for the “Gordon Ramsay Sex Dwarf…” strapline, while I still plump for this beauty from the BBC. I did some headline math, which looks like this:
So it would look like Headline 1 has it. BUT that does not take into account the “kittens” factor of headline 2 (which usually spells instant win), plus the fact that it is actually good news. I dunno, I’m torn…
Phil Lynott statue on Dublin’s Grafton St (toy monkey not included)
You’ll have seen the other Thin Lizzy posts that we’ve put up on DM by now, right? Big up to Paul and Marc for the Phil Lynott-loving that has been going on here - Lizzy are an under-appreciated band, who to my knowledge never really broke through in America. Of all the rock act Ireland has ever produced though, Thin Lizzy are by far the best, and most of that legacy rests with the cool, charismatic and incredibly talented Phil Lynott himself.
The Phil Lynott Story goes further than other Thin Lizzy-based docs to explore Lynott’s background, from his teenage mother’s escape from the work houses of wartime Northern England to Phil’s growing up as a black man in the vastly white1960s Dublin, and from his fledgling career as a psychedelic folk-rocker to his post-Lizzy years and his decent into heavy drug use and eventual, untimely death. It’s a fascinating story, packed to the gills with drama, drugs, scandal and lots of great music. It would make an amazing biopic, but who would play Phil?
This BBC-produced documentary is essential listening for anyone with a vague interest in rock’n'roll - you don’t need to be a fan to find this fascinating. But if you are a fan and don’t know the full story, be prepared to be amazed at some of the anecdotes and the background information supplied by Lynott’s incredible mother Philomena. Here’s a little bonus too - a video for the Lynott solo single “Old Town” (co-produced with Midge Ure and one of the greatest synth-pop tracks of all time IMO) with Phil strolling around early 80s Dublin and fooling around on his native Grafton St and Ha’Penny Bridge:
Last week the British historian David Starkey got into a lot of trouble on BBC’s Newsnight by claiming that the English riots were caused by “Black” rap culture and praising the notorious politician Enoch Powell. As could be expected his views were jumped on by the far right British National Party, and there has since been a public outcry that many think spells the end of the broadcaster’s career.
Now YouTube user sweetbabyjesus has uploaded a great cut-up video turning Starkey’s statements on the news program into actually quite a passable little rap tune - for an English historian.
Skip along four years since “A Trip Around Acid House (which I posted yesterday) and you can see the changes which had occurred within the UK’s dance scene. By 1992 raves had become massive outdoor events attracting thousands of punters, they had been cracked down on heavily by the police, and promoters had begun to put on licensed raves with professional security, a police presence and mandatory drug searches to minimise trouble and maximise profit.
BBC North’s Rave follows the set up, running and aftermath of one of these very large (but legal) outdoor raves, and highlights how attitudes had changed between 1992 and 1988. The moral panic surrounding acid house and ecstasy culture had peaked by this point. The police were aware that this new outdoor dancing movement was not something that was going to go away any time soon, so rather than trying to stamp it out they instead focussed on regulating it. It’s interesting to see the individual police officers interviewed in ‘Rave’ and their opinions on the culture - unnerved by the “spaced out” demeanour of the participants, but also very aware that they are not violent and cause very little trouble. There were still the supposedly “moral” campaigners who saw the trend as entirely negative, of course, and campaigned to have any event of this nature shut down due to the supposed dangers of drug “pushers”. The inability to compute that people were taking drugs of their own free will, combined with the relatively harmless effects of those particular drugs, give these campaigners distinct shades Mary Whitehouse. It’s all about looking good rather than engaging with reality.
By 1992 the music had now morphed too - four years on from the happy-go-lucky spirit of acid house (with its sampling of different genres and its embracing of the Balearic scene) the music is more streamlined, and beginning to form more regimented genres like techno and rave itself. DJ Smokey Joe does a pretty good job of describing the difference between the German and Belgian strands of techno in this show:
Acid house - the sound of a Roland TB 303 getting turned up too far that can send the most loved up dancer wild with convulsions of ecstasy . A unique sound accidentally discovered by DJ Pierre and friends in Chicago 25 years ago and that can still wreck dancefloors to this very day. A type of music which for a period of time in the late 80s infested the upper reaches of the UK’s charts and spawned a youth culture all of its own. Let me hear you say ACIEEED!
I was way too young to have any first hand experience of clubbing during the acid house years, but the music and imagery still had a huge effect on my childhood brain . Who couldn’t resist the acid-washed day-glo colours, the oversized clothes, the nods back to hippie culture and the first summer of love, and chart topping tracks from the likes of D-Mob, S’Express, M/A/R/R/S, Yazz, Farley Jackmaster Funk, 808 State, Bomb The Bass and Stakker Humanoid? When I had a chance to buy my own clothes it would be Joe Bloggs, and I had quite the collection of smiley face badges for a kid not yet a teenager. My own pet theory is that disco never had the impact in the UK that it had in the States, but house music and raving had the same effect of democratising the dancefloor ten years later. A large piece of the puzzle was of course the arrival of a new drug called “ecstasy” (actually only made illegal in the UK in 1985), which when combined with the powerful filter sweeps of a TB303 can give the user incredible head rushes. It was this new drug and its implications that seemed to worry the authorities the most.
This great documentary from the BBC’s World in Action strand is like a full blown acid house flashback. Broadcast in 1988 at height of acid house fever, it follows the typical weekend rituals of a group of very young fans, tracks the working life of an illegal party promoter, speaks to some of the producers of the music and charts the the then-growing moral panic which surrounded the scene and its copious drug taking. Raving, and acid house, had a huge (if subtle) effect on British culture, bringing people together in new, democratised contexts free of class and social boundaries, opening people’s ears up to a new world of music and opening their minds to new ideas.
A Trip Round Acid House makes for very interesting viewing at a time when Murdoch Inc and News International stand accused of distorting facts to suit their own means. The program gives a fairly detailed description of how The Sun newspaper did an about face on acid house, going from being supporters of this new youth culture (even selling their own acid house branded t-shirts to decrying it as an outrage that needed to be banned (and as such sold more papers). Some of the other footage here is priceless too, and has popped up on the internet in other forms, such as the classic reaction of two old cockney dears to the description of a typical “rave”. Blimey!
Murdochgate continues unabated. After yesterday’s questioning of Rupert and James Murdoch (and the cream pie incident), today has already seen the British Prime Minister David Cameron taking part in a parliamentary debate which has been broadcast live, and is set to continue till 7pm tonight (GMT).
It’s also interesting to see a British political scandal begin to get so much attention in the American media. Of course, there are some serious ramifications for the Murdoch’s American operations (especially now the FBI are to investigate it), but so far the story has been pretty well contained to the UK. However Jon Stewart rags on yesterday’s questioning of Brooks and the Murdochs here, and it’s telling that right wing US commenters on that blog post are still trying to pass the whole Murdochgate affair off as an inconsequential “celebrity” scandal (akin to Paris Hilton’s nails getting done, apparently).
Of course, it is much, much more than that. This excellent documentary by BBC’s investigative Panorama program, broadcast on Monday, recaps all the major points, features interviews with many of the key players (including the now-deceased whistle blower Sean Hoare) and shows how the hacking of murdered schoolgirl’s phone has begun to unravel the fabric on which three of society’s four main pillars are based (the media, the police and the political system). We will see how this plays out in the long run, bearing in mind the interests that are potentially at stake here and the possible onset of scandal fatigue in the public, but judging by the bizarre twists and turns this story has taken already, it’s best not to rule anything out yet.
Parts 2-6 after the jump…
Many thanks to the diligent work of YouTube uploader NOTWPhoneHacking, whose channel contains literally hundreds of clips recorded from the British media about the NI scandal since it broke over a fortnight ago.
Not only is oldstream UK media tearing itself apart right now, previously picked on figures are getting their own back too. For the benefit of non-UK readers, “mincemeat” is also known as “ground beef”, and that is exactly what comic Steve Coogan makes of former deputy features editor for News Of The World, Paul McMullan, on last night’s BBC Newsnight program’s round table discussion concerning the phone-hacking scandal, the closure of NotW by Rupert Murdoch, and his still possible takeover of the BSkyB TV network. Paul McMullan is no stranger to celebrity revenge, as a covertly-recorded pub conversation between himself and Hugh Grant, in which he admitted the extent of the NotW’s phone-hacking activities, and which was then published in the New Statesman, was responsible for reopening this whole media can of worms.
Steve Coogan has had a tussle with the tabloids before, when it was claimed he was having an affair with Courtney Love (which was denied by both parties, but which caught the public imagination). But what’s going on here is not simply revenge - as Coogan rightly points out in his very first sentence, Paul McMullan is a walking PR disaster for the tabloid press and News international. He comes across as oily, evasive, self-interested and a hypocrite - perfectly fitting the public image of everything bad about tabloid-level journalists.
Journos love to pick on politicians, but in the British public imagination they are second only to them in terms of being disliked. I’ve always wondered if they know this and pick on politicos and celebs to deflect attention from themselves, or if they genuinely, honestly, believe they are doing some kind of public service. According to McMullan it’s the latter (though I can’t believe that he is completely unaware of the level of animosity the public has for him and those in his trade).
So perhaps they really are that self-deluded, but the other thought echoing through my mind during all of this coverage is “these people work/live/breathe the media - so how can they look so bad on the TV screen?”. OK so the press seem to be trying to outdo each other to find the worst picture of Rebekah Brooks, but also take for instance News International’s Director of Corporate Affairs Simon Greenberg (interviewed here by Channel 4 News’ Jon Snow) or Roger Alton, Joint Executive Editor of The Times (also owned by parent company News international). These people deal in exposé, guilt-admission and subsequent rehabilitation for a living. So why aren’t they acting humbled, the way they tell everyone else they should act?
Interestingly, Paul McMullan has had some bad things to say about his then editor Brooks (neé Wade) recently. Brooks, more than anyone, is the central figure in this row, and it is claimed that Murdoch has sacrificed the oldest running, and most widely circulated newspaper in British history, just to protect her. But McMullan is not the only disgruntled former employee of NotW willing to dish the dirt - internet hype has been building around a Twitter account that has gone online during the last couple of days called ExNOTWjourno. The account is run by a journalist who has now found herself jobless, and who intends spill the beans on life behind the scenes of NotW under Rebekah Brooks, in a new blog. According to the account there are now 16 newly unemployed journalists working on dishing the dirt (and running stories planned for the last ever publication of NotW tomorrow), and the blog is due to go online sometime this evening. This is going to get interesting…
It doesn’t get more Lahndan Tahn than than this. Taken from a 1979 BBC TV Play For Today drama written by Barrie Keeffe and directed by RIchard Eyre, this clip sees Ray Davies’ mid-60s paean to young romance belted out on a rickety ole joanna by Queenie Watts. Watts was a well-loved Cockney performer who appeared in such classic British TV shows as Dad’s Army and Steptoe and Son. She and her husband Slim also ran the Rose and Crown pub in London’s East End, where they would perform with a band, entertaining a mixed crowd of locals, celebs and gangsters. Queenie’s take on The Kinks’ classic makes the connection between the swinging 60s and the city’s earlier music hall history, and it just drips Cockney charm. Cor blimey!
British stand up comedian Stewart Lee has returned to the BBC with a second series of his opinion dividing show Stewart Lee’s Comedy Vehicle. A ratings flop on its first run, it seems like a small miracle that it has made it back to our screens at all. Not least because a lot of hardcore comedy heads just don’t like it - and that includes some of our own writers here at DM, who have turned off episodes of the show in the past.
Lee was one half of the hip 90s alt comedy duo Lee and Herring, who starred in the cultish TV shows Fist of Fun and This Morning with Richard Not Judy. Since parting with Herring some years ago, Lee has followed a more polemical route without resorting to agitprop or being in-yer-face. He also took a very long hiatus from TV before returning in 2009, and seems to have ironed out some of the flaws from the first series of Comedy Vehicle. The involvement of Chris Morris, Arnold Brown and Armando Iannucci has perhaps helped too (worth particular mention are the interview cut aways featuring a very spiteful Iannucci and a deflated Lee).
In comedy terms this is very much an acquired taste. If you are happy to be a passive consumer of lowest common denominator observational humor, then this is not the show for you. If you are a fan of slapstick or rapid fire gags, Lee does neither. Even if you consider yourself a comedic connoisseur and you get what is is that he does, you still might not like it. And I’m not going to lie, Lee can be very hit or miss. But when he hits he hits hard - to answer the question in the headline I think he might actually be a comedy genius.
Watching the first episode of series two, which is ostensibly about “Charity” but is actually about Lee’s fictional grandad’s love for crisps, I felt like I had never seen anyone perform comedy that was this self-reflexive yet this funny before. Maybe I was in the right place at the right time, and in the right frame of mind but Lee manages that incredibly rare, almost magical feat of signposting a joke from miles away yet making the journey to the punchline, and the payoff itself, very funny indeed. See his grandad’s “crisps”/“crips” confusion (and even the repetition of the word “crisps” itself). This had me in stitches - contrary to the suggestion by some critics that his style will inspire a smirk rather than a belly laugh.
Stewart Lee manages to deliver comedy about comedy that keeps an audience engaged and laughing, without resorting to crudity or obviousness. He walks the thin line of being very knowing, and also knowing that we know he knows, without (completely) disappearing up his own arse. The viewer definitely has to be in the right frame of mind to appreciate Lee’s tangental, mumbly approach but if you’re willing to invest a bit more attention to a stand up comic than normal, it is richly rewarded.
Stewart Lee’s Comedy Vehicle - Series Two, Episode One “Charity” - Part One
Stewart Lee’s Comedy Vehicle - Series Two, Episode One “Charity” - Part Two
