The Mad Ones: A Brief History Of The Beat Generation

This well-executed, smart, no-budget, D.I.Y. video was a school project created by Krystal Cannon who lives in Ithaca, New York. She portrays all of the characters in the film.

I particularly dig Cannon’s Bob Dylan and her Allen Ginsberg is a hoot.

Krystal, if you see this, how about posting a comment on the making of The Mad Ones.
 

 
A brief vignette from the “exploitation” documentary feature Primitive London from 1965, featuring London’s beatniks hanging out in their local bar, answering questions on dress, work, idling and marriage. The bar is where Rod Stewart (aka Rod the Mod) hung out, and the featured musicians are Ray Sone, harp (later of The Downliner’s Sect) and Emmett Hennessy, vocals, guitar.

Though some have been dismissive of Primitive London, it’s now a film of cultural importance, which, at first glimpse, reveals a world long gone, but when closely examined, the groupings, motivations and patterns of behavior are still the same today.
 

 
Via Publique, with thanks to Tara McGinley
 

 
Rolland “Rolly” Crump is a Disney legend. Originally working as an assistant animator under Uncle Walt himself in the early 1950s, Crump performed “in betweener” work on Disney classics like Peter Pan, Lady and the Tramp, 101 Dalmations, and Sleeping Beauty.

In 1959 Crump joined Walt Disney Imagineering, becoming one of Walt Disney’s key designers for Disneyland. He worked on the Haunted Mansion, the Enchanted Tiki Room and the Adventureland Bazaar. Crump served as key designer on the Disney pavilions featured at the 1964-65 New York World’s Fair, including “It’s A Small World.” When that attraction was given a permanent home at Disneyland, Crump added the iconic puppet children clock at the entrance. He was also one of the lead designers on a Disneyland attraction that was shelved after Disney’s death, The Museum of The Weird.

During his long and illustrious career, Crump contributed to the designs for Walt Disney World, Busch Gardens and the Ringling Bros. and Barnum & Bailey Circus World, before returning to Disney to project design “The Land” and “Wonders of Life” pavilions at EPCOT Center. Now 81 and still going strong, in 2004 Crump was given a Disney Legends Award.

But back in 1960, Rolly Crump made a series of whimsical and delightful posters depicting Beatniks and their predilection for drugs. Made for poster pioneer Howard Morseburg’s Esoteric Poster Company, Crump worked for Morseburg until 1964, also turning out posters satirizing Communism, Cuba and the Soviet Union. Some of these posters were discovered again and are for sale via Crump’s Zazzle store.
 

 

 

 

 
Thank you Taylor Jessen!