I always preferred Len Deighton’s anonymous spy to Ian Fleming’s James Bond. There was something too glib and unexciting about Bond, like Superman you knew he could never be defeated, which made it all rather pointless. Whereas Deighton’s spy was fallible, awkward, funny and quite often messed things up.

When it came to the films, it was a more difficult choice. Sean Connery made Bond his own, and has never been equalled. But Michael Caine was equally successful with his interpretation of the Deighton’s insubordinate spy (now named) Harry Palmer in a trilogy of brilliant spy films. Of course, he later nearly blew it all by making two sub-standard Palmer films in the 1990s, the less said about which the better.

Here is Michael Caine with a behind-the-scenes look at the making of the second Palmer movie, Funeral in Berlin. The quality of this video is not brilliant, and yes, it does have an irritating text written over it, but there is enough fascinating things going on to make Man on the Wall very watchable.
 

 
Previously on Dangerous Minds

 
Let’s start with the painting, for that was the sign something ominous was about to begin.

In East Germany during the Cold War, you didn’t join the Stasi, the Stasi asked you to join them. This is what 19-year-old Hagen Koch discovered when the Stasi approached him and said, “We need you to help secure our country’s peace.” 

Koch arrived in Berlin on April 5th 1960, to a city without a wall, without barbed wire, without division. He had been chosen for a specific job and was soon promoted to Head of Cartography.

It was a warm day in August 1960, when Stasi Private Hagen Koch arrived at Checkpoint Charlie and started painting a white line. No one took much notice, which was understandable, only in the following days would the enormity of Koch’s actions become apparent. For unknown to Berliners and the West, Koch was marking the ground for the building of the Berlin Wall.

Years later, Koch said the Wall was not against the West but “against the population of East Germany.”

It was also the first sign that East Germany’s so-called “Workers’ and Peasants’ Socialist Heaven” had failed, and marked the start of the slow and difficult demise of Soviet bloc Communism. 

Further, the creation of the Berlin Wall led to a standoff between Russia and America that nearly caused World War Three.
 

 
How the Berlin Wall nearly led to War and how holidays brought it down, after the jump…
 

 
The seemingly borderless nature of our digital age renders bizarre the idea of nationalized walls separating people. Current items like the Israeli West Bank “security” barrier and the demand for a wall on the entire Mexican border just seem absurd and brutal.

Those were walls that kept people out. Today marks the 49th anniversary of a wall that kept people in and fired the imaginations of artists like Pink Floyd, David Bowie and the Sex Pistols.

In an effort to stave off “fascist” influence from the West, German Democratic Republic General Secretary Walter Ulbricht closed the border between the Western and Soviet sectors with barbed wire and fences, on order from Nikita Khrushchev. It soon became the symbol of national alienation.

Below are two of the most fascinating pieces of media about the Berlin Wall that I’ve found. Walter de Hoog’s The Wall was produced by the United States Information Agency, the global propaganda arm started by the Eisenhower administration in 1953. Strangely, the USIA was prohibited to screen their films to the American public, so this stark, immediate and emotive piece wasn’t released here until 1990.
 

 
After the jump: Magnum photographer Thomas Hoepker’s remarkable narrated slide show of his 40 years covering the Wall…