Shed your midweek blues with this excellent full length film of African funk magus Fela Kuti and band performing live at the Glastonbury Festival in 1984. The 70 minute film also features a candid interview where Fela talks about discovering his African identity in post-colonial, racist England and how this eventually led to his involvement in Nigerian politics. He also talks about how ideas of “democracy” inspired the song “Teacher Don’t Teach Me Nonsense”, an incredible, 40 minute-plus version of which closes the show:
 

 
Thanks to P6!

 
It didn’t take long after his death in 1997 for the indomitable spirt of Fela Kuti, Afrobeat legend, political revolutionary, musician, composer and performer, to rise again. His singular musical cross-pollination of African drumming, Bitches Brew-influenced jazz rock and James Brown-influenced guitar funk has gained cultural currency in the past decade far beyond what he achieved in his lifetime.

The wildly popular Broadway musical about him, Fela! (directed and choreographed by the great Bill T. Jones, and financed in part by Jay-Z, Will Smith and Jada Pinkett-Smith) has been nominated for 11 Tony Awards and was recently visited by First Lady Michelle Obama. The upcoming Beyonce Knowles album is said to be heavily influenced by Kuti’s Afrobeat sound.

Below, a fascinating documentary on Fela Kuti titled Music is the Weapon. This intimate 1982 film was directed by Stéphane Tchal-Gadjieff & Jean Jacques Flori.
 

 
Via Pathway to Unknown Worlds

 
Bisade Ologunde isn’t the only masquerading musician out there of course, but the Nigerian sax man and bandleader is definitely one of the most intriguing.

Lagos-born and Manhattan-based musician took the name Lagbaja (meaning “anonymous” or “faceless one” in Yoruba) when he started his career in the early ‘90s. Wearing a variety of masks onstage falls right in line with carnival tradition of his Yoruba tribe, and has enhanced his appeal among Nigerians. Ologunde’s hip-hop-era take on Afrobeat—he’s taken to naming his style “Africano,” after the title of his fourth album—takes in aspects of jazz and modern R&B. And as seen below in this excellently choreographed video, deals with some of the same issues…
 

 
After the jump: a clip from Lagbaja’s intense live show in Ife, near Lagos…
 

Love ‘Forever Changes’ lemon buttermilk custard cake
 

Chocolate cake with vanilla butter. Chocolate image from the back of the Shakara LP
 
Holy awesomeness of cakes! These friggin’ amazing cakes are made by Los Angeles resident straightouttachocolate. I highly suggest visiting her Flickr page to view more unique and tasty treats.

straightouttachocolate

Thanks a-rock!

 
The wonderful Tracii Macgregor at Gargamel Music hepped me to this latest project put together by New York hip-hop DJ/producer/scene-vet Rich Medina. Like any device, the mash-up/remix can yield a good amount of garbage (Gaga vs. Bieber, etc.), unless the sources are well-chosen and assembled.

It hardly gets better than pop king Michael vs. Nigeria’s Afrofunk prez Fela Kuti—much has been made of how Fela and James Brown mutually influenced each other, so the R&B/Afrofunk connection is hardly a surprise. Medina’s put together 10 rounds of it for The King Meets the President in Africa, which is downloadable for free. Unfortunately, the videos below are uncredited—if Rich did these as well, I’d consider him even more of a badman talent than I already do.
 

Thriller vs. Zombie from MJ Fela on Vimeo.

Billie Jean is Shakara from MJ Fela on Vimeo.