The sustaining power of rock and roll: A compendium of rarely seen music vids


 
Revolution is in the air and we’re all feeling the first rumblings of what may become a long hard winter of discontent. Destiny is kneeling at the hem of absolute reality altering the 13 inch pegged pants that Jesus wore to Elvis’s and Priscilla’s wedding. Gene Vincent’s blue suede shoes have turned a whiter shade of pale and Lou Reed is breaching the tight tangle of his own decadent and decaying bunghole only to discover there’s little velvet left in his underground. At the outer rim of what we have come to accept as the entirety of our little world there’s a fluttering of moth-like wings which, to everyone’s surprise, is the hypnogogic light show palpitating on the moist pink plasma of our eyelids. As we lay dumbstruck on a bed of lavender-scented panty shields, a large shadowy figure hovers above us: the ghost of Canned Heat’s Bob “The Bear” Hite in coitus with a giant rubber replica of Timothy Leary’s pineal gland. Our silent awe is violently interrupted by the lower intestinal flubbering of Mr. Kurt Cobain sucking the last sustaining droplets of Lil Wayne’s bottle of drank while Thom Yorke, wearing a thong made of Gypsy foreskins, cowers in a dark, dank, moldering corner cluttered with the remains of Bob Guccione, Miles Davis and Stiv Bators. As a thousand angels weep, Pete Townshend fumbles for his eyeglasses, slaps them to the bridge of his nose, and places his long calloused fingers upon his computer’s monitor screen where an image of a young Bob Dylan in flannel pajamas sullenly strokes the head of a tattered Teddy bear.

At times like these I always turn to music to recharge the cells that fire the cylinders of change, renewal and transformation. Rock and roll is the soundtrack of my life, perhaps it’s your’s as well.

Here’s a fistful of musical dynamite to detonate within the circle that encloses our dreams, hopes and desires. Let the walls dissolve as our flesh extends into eternity like infinite tendrils of meat, sweat and cum.

Squares, you’ve been warned. Stand clear, run for your lives, or loosen your belts and join the party.

Rarely seen videos from The Music Machine, Baris Manco, Steppenwolf, Fleetwood Mac (with Peter Green), Frumpy, MC5 and Iggy Pop.
 

Written by Marc Campbell | Comments
The Green Manalishi with the two prong crown
06.11.2010
05:53 pm

Topics:
Heroes
Music

Tags:
Fleetwood Mac
Peter Green

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The final volley from Peter Green before leaving the band he formed, this dark and turbulent 1970 masterpiece is the sound of an acid fried young genius being torn apart psychologically by the evil god of money. Indeed as this was being recorded Green was actively trying to convince his bandmates to begin giving away all of their then considerable wealth.

Green has explained that he wrote the song after experiencing a drug-induced dream, in which he was visited by a green dog which barked at him. He understood that the dog represented money. “It scared me because I knew the dog had been dead a long time. It was a stray and I was looking after it. But I was dead and had to fight to get back into my body, which I eventually did. When I woke up, the room was really black and I found myself writing the song.

In any case this is a hell of a guitar workout with amazing chord progressions and has been covered by everyone from Judas Priest to The Melvins, but none matches the vibe of the original.
 

 

Written by Brad Laner | Comments