
Bobby Byrd third from the left.
James Brown, Bobby Byrd (of The Famous Flames) and a young Bootsy Collins perform Soul Power and Get Involved live on Italian TV Show “Teatro 10”. April 24th, 1971.
This is deeply funky.






Bobby Byrd third from the left.
James Brown, Bobby Byrd (of The Famous Flames) and a young Bootsy Collins perform Soul Power and Get Involved live on Italian TV Show “Teatro 10”. April 24th, 1971.
This is deeply funky.

While my co-conspirators here at Dangerous Minds are asleep or away for the weekend, I like to slip in a little something that might be met with disapproval if they were around… in this case, a mash-up. While there are those among us who find mash-ups played out, I still find joy in a well-constructed and imaginative melding of often incongruous elements into something that coheres in novel or humorous ways, expanding upon the original sources, resulting in a fusion that can be lesser or better than the sum of its parts or their equal. A really good mash-up can become a beautiful thing of its own, transcending its sources and finding a sonic identity of and beyond its sources.
In “Whole Lotta Sex Machine,” I think the combination of Led Zeppelin and James Brown creates some genuine heat and it is sure as shit entertaining. This has been around for a couple of years as an audio track (in fact its appeared on DM in the past), but last year DJ Eric ILL added a video mash-up to the audio mix by Fissunix.
Vocals: James Brown - “Sex Machine”
Guitar riff : Led Zeppelin - “Whole Lotta Love”
Drum loop: Run DMC & Aerosmith - “Walk This Way”
You can download the audio track here.
Thanks to Chris Frantz and Tara McGinley

James Brown mistakes William Castle’s Homicidal for an Alfred Hitchcock film in this 1969 clip from the Mike Douglas show. Rod McKuen tries to clarify things while Joan Rivers looks on.
Homicidal was a knock-off of Psycho. Hitch saves Brown some embarrassment by not correcting him. Class act.
We’re having some technical difficulties today on Dangerous Minds. Please enjoy this craptacular video of James Brown selling Cup Noodles Miso soup until this gets fixed.
(via BuzzFeed)

On April 4, 1968 Martin Luther King was assassinated. The following day mayhem erupted in cities all across America. Riots and looting had broken out in Chicago, Detroit, Washington D.C. and L.A.. Boston was a powder keg on the verge of exploding and Mayor Kevin White was considering canceling all public gatherings, including an April 5th concert by James Brown at the Boston Garden. When White realized that canceling Brown’s show might actually trigger the very riots that he was attempting to avoid, the Mayor made a profoundly smart and historic move. He met with Brown and discussed ways in which they could keep the peace. They decided to proceed with the concert and broadcast it live on local television. Unfortunately, the Boston network affiliates refused to broadcast the concert. But, public station WGBH agreed to air the show and it turned out be a historically significant decision that altered the course of Boston’s history. Brown’s concert would be seen by far more than 14,000 concert goers. It would be made available to everyone in the Boston area with a television set. And it might just quell some violence. As it turned out, it did.
Brown’s performance was absolutely epic. He dedicated the concert to Dr. King and through his music managed to calm the anger and frustration of a community in deep mourning. Boston stayed cool while other cities burned.
Here’s 150 minutes of footage aired by WGBH on that extraordinary night when the hardest working man in show business became a force of healing, peace and Black pride.

Sad news from Cincy is that Bootsy’s older brother Phelps Collins has lost his battle with cancer. This comes shortly after the equally bumming news of fellow Funkadelic guitarist Gary Shider’s passing.
The always-smiling rhythm guitarist started a band called the Pacemakers in 1968 and were soon scouted and picked up by James Brown to back him up. The brothers would record such classics as “Super Bad,” “Get Up (I Feel Like Being A) Sex Machine,” “Soul Power,” and “Give It Up or Turnit a Loose” before it became too much to deal with the Godfather. Then it was on to a wonderful decade with Parliament-Funkadelic and Bootsy’s Rubber Band, lacing masterpieces like “Flashlight” with his brightly sparking chikka-chikka. Phelps spent most of the past 20 years away from music, surfacing occasionally to play with groups like Deeee-lite and on soundtracks like Superbad.
He got some here at the famous L’Olympia with the JB’s in 1971, just before he and Bootsy said bye-bye to the Hardest Working Man…
After the jump: the bad-ass sounds of Phelps and Bootsy in ‘71 in between their tenures with the JBs and Parliament-Funkadelic!!
(via Testpiel.de)
Though this clip has been around for some time, I think this latest version is of the best quality. This is from a James Brown concert in 1983, in which the hardest working man in show business invites both Michael Jackson and Prince to the stage for a little improvisation. Michael woos the ladies, while Prince - well you’ll just have to watch. If you blink you might miss him ride in on the back of a gigantic body guard dressed in a leopard wrestler’s outfit.
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Today marks the first time The T.A.M.I. Show has seen a proper release since it was in theaters over 40 years ago, although bootlegs have been easy to come by since the late 80s. James Brown’s inspired performance—perhaps the finest moment of his entire career—will knock your socks off.
Filmed at the Santa Monica Civic Auditorium, October 29, 1964, the performers also included Chuck Berry, Gerry And The Pacemakers, Smokey Robinson & The Miracles, Marvin Gaye, Lesley Gore, Jan & Dean, Billy J. Kramer & The Dakotas, The Supremes, The Barbarians and The Rolling Stones. The DVD, put out by the mighty Shout Factory contains restored footage of the Beach Boys performance which was cut from the theatrical release.