In memory of the late great Paradise Garage dj here’s a mystery set that has turned up on Soundcloud and is credited to Levan from the early 80s. Uploader R_co hasn’t been able to locate a playlist, but he has found a list of (nearly) every song played during his run as resident at the Garage - that’s quite a lot of music if you care to have a look. The mixing on this set is a bit hit and miss, but the crowd audibly loves it and the drop into Loose Joints’ “Is It All Over My Face” (from an excellent mystery track) at around 6 minutes in is heavenly:
 

  Larry Levan Live @ The Paradise Garage, New York (Early 80s) by R_co
 
Of course, Levan was more than just a dj - he was a remixer of no small talent, and some of his remixes are guaranteed dance floor fillers more than 30 years after their release (such as the previously mentioned Loose Joints track, one of my desert island discs). As a special bonus, here’s Levan’s first ever remix, which he mixed as a try-out for the Sesame Street disco album project, and which remained unreleased for almost 30 years:

Cookie Monster & The Girls “C Is For Cookie (Larry Levan Special Version Funky Disco Mix)”:
 

 
Thanks to Tara McGinley
 
After the jump more of Larry Levan’s best remixes, including the Joubert Singers, Grace Jones, Gwen Guthrie and more…

Previously on Dangerous Minds:
A piece of Paradise: Larry Levan mixing live at the Paradise Garage in 1979
‘Maestro’ - a film about the Paradise Garage and the birth of Disco culture

 
This is some serious disco history right here! A recording has recently surfaced of DJ Larry Levan mixing live from the 1979 2nd birthday party of the legendary New York night spot the Paradise Garage. The 4 hour set was broadcast live on NY’s WBLS station (hence the occasional MC commentary from the recognisable voice of Frankie Crocker) and was taped off the radio by producer Lenny Fontana as a kid. He had the foresight to transfer the original tapes to DAT in 1990, and to put the mix away into storage.

Recently unearthed by the BBC’s Eddy Gordon, who has described the tapes as “broadcasting gold”, the set was broadcast on BBC Radio 6 as part of a “A Taste Of Paradise” season, which ran over a series of nights and featured interviews with some of the key players in the Garage’s history. Props to the folks at the Irish disco website isodisco.com, who have uploaded all the interviews to their site - these are worth checking out too as they are fun and informative, and have some cracking underground disco soundbeds.

But the main attraction is Levan’s dj set itself. For many people like me, whose number one time travel destination would be the Garage at its late 70s/early 80s peak, this is as close as we’re ever going to get. You can really feel the party atmosphere in the broadcast - which opens with live PAs from Loleatta Holloway, Dan Hartman AND Sylvester, reason enough to be excited - and Larry’s selection is damn near flawless. Sure, the mixing could be tighter, but this is 1979 fer Chrissakes - just check the massive booming bass on some of these tracks! Obviously dub was an influence, as was the Garage’s legendary PA. If you’re not dancing by the time Tribe’s “Koke” kicks in (arf) at 2:49:10 - straight after Candido’s club classic “Jingo” - then you’re most probably dead.

Here’s the set, as hosted on Underground NYC - skip straight to 01:11:00 for the the broadcast to begin, and 01:52:00 for Levan to take over:
 

 
Just to make clear, this is NOT the set released on CD by Strut in 2000. 

Previously on DM:
‘Maestro’: a film about the Paradise Garage and the birth of disco culture
The last ever set from the legendary NY nightclub The Saint

Keith Haring’s portrait of the DJ Larry Levan
 
In the history of popular music, disco and dance culture generally get a raw deal when it comes to talking about of social change. Sure, some massive changes happened in the Sixties, but to paraphrase Nile Rodgers, the Seventies was when people started to enjoy their new social freedoms. It was an age that saw huge breakdowns of race, class, sexual and social boundaries that were not just confined to small social groups, and much of this was down to the disco and party scenes.

Maestro, a 2002 documentary by the director Josell Ramos, tells the story of the legendary New York club the Paradise Garage, and its equally legendary resident DJ Larry Levan. Levan is often cited as being the best DJ of all time, particularly by some of the most popular DJs in the world, and the music he played at his club spawned a whole genre named in its honour. The Garage’s cultural and musical legacy has been global, influencing some of the world’s best known nightspots, but Maestro is also careful to explain where the roots of the club and the world that developed around it lay - in the seminal underground New York nightspots of the very late Sixties and early 70s.,
 

Levan in the DJ booth at the Paradise Garage
 
Many of the characters still left standing from the era are interviewed in the film. Among these is David Mancuso, whose own private loft parties in his living space kick-started the serious dancing scene and gave birth to the modern idea of clubbing..There is the late Francis Grasso, the first man to ever mix two records back in the late 60s at the Sanctuary; Nicky Siano, who in 1972 and still a teenager opened the night spot the Gallery; Frankie Knuckles of Chicago’s Warehouse (the birthplace of garage music’s broodier twin house), reminiscences on his close childhood friend Levan with stories that are both funny and sad. Most movingly of all respected DJ and remixer Francois Kevorkian remembers how the AIDS epidemic swept through his social circle killing many of his friends and decimating the party scene.

The Paradise Garage was a true melting pot where black, white, gay, straight, male, female, old and young mixed, got high, danced, and had sex. The footage of the Garage, the Sanctuary and the Loft in Maestro is great, and really makes you want to grab a time machine to visit these incredible parties. While this film is flawed, it’s good to have the story of this era told from the perspective of the people who were there and helped shape it. Oh, and needless to say, the music is FANTASTIC:
 

 
The rest of Maestro, after the jump…