Tubular Bells: Mike Oldfield and prog-rock supergroup, live 1973


 
Mike Oldfield’s 1973 recording of Tubular Bells is the most famous progrock “symphony” of them all—and a bit of a “love it or hate it” affair amongst music snobs—but in actual fact, most of the instruments played on the album are played by Oldfield himself, layered during the recording process.

Wikipedia list Oldfield as playing “acoustic guitar, bass guitar, electric guitar, Farfisa, Hammond, and Lowrey organs; flageolet, fuzz guitars, glockenspiel, “honky tonk” piano (piano modified to sound more percussive), mandolin, piano, “Piltdown Man,”,percussion, Spanish guitar, producer, “taped motor drive amplifier organ chord,” timpani, vocals and tubular bells.” He was just twenty-years-old when the album was recorded.

Oldfield did bring in a few others—notably his sister, vocalist Sally Oldfield and the Bonzo Dog Band’s Vivian Stanshall as the “Master of Ceremonies”—but it’s fair to say that, a few embellishments aside, that Tubular Bells is (almost) the work of a “one man band” or in this case, a one-man orchestra. Initially championed by BBC disc jockey John Peel (who played the entire album on his radio show), Tubular Bells has sold an estimated 16 million copies worldwide and was the first album to be put out on the Virgin Records label, making Sir Richard Branson a very rich man. The opening theme was famously used as the title music for The Exorcist.

An “in the round” live-in-studio performance of side one of Tubular Bells was taped for the BBC program Second House on November 30th, 1973 and aired on December 1. Taking part in this performance are Oldfield himself on bass and acoustic guitar, his brother Terry on flute, Fred Frith (and other members of Henry Cow), Gong’s Pierre Moerlen and Steve Hillage, Tubular Bells co-producer Tom Newman, Mike Ratledge and Karl Jenkins of the Soft Machine, Rolling Stone Mick Taylor and others. (Vivian Stanshall, in his role as the MC, is present, reading off the list of instruments at the end of the first movement in his plummy voice, but, sadly is not captured well on camera).

Oldfield has returned to his most famous work time and again over the decades. A newly remastered version of the original Tubular Bells album came out in 2009 that includes this video (in great quality) and a superb 5.1 DVD-A surround mix.
 

 
Parts II & III after the jump…

Written by Richard Metzger | Comments
Stones in the Park: The big-time rock era born in Hyde Park 41 years ago today

image
 
After a couple of drug-bust-heavy years off the road, the Rolling Stones were at a few turning points as of July 5, 1969. Their back-to-basics Beggars Banquet album signaled the end of the rainbow dream of Their Satanic Majesties Request, and a return to a therapeutic blues mode that would last them long into the ‘70s. Most importantly, guitarist Mick Taylor of John Mayall’s Blues Breakers had replaced a drug-soaked Brian Jones, and Jones had been found drowned in the pool of his Sussex home two days before their previously booked free performance in Hyde Park. The Stones decide to go on with the show. As shown below, Britain’s leading independent Granada Television was there.

Granada put the biggest rock concert in England’s history to that point (250,000 people, with Woodstock planned for a month later) into context by chatting with the band, the fans and members of the amazingly efficient Kent chapter of the Hells Angels. Unfortunately, the Stones’ next huge concert would demonstrate that the Kent Angels neglected to exchange notes with their West Coast brothers about how to best secure a large crowd…
 
Please note: Live Video seemed to be the only free video site that’s hosting the full documentary. Unfortunately, the user experience after the jump is less than optimal—the video just starts and buffers a lot. It seems best to just pause the screen and let it load before playing. Please remember that it’s free, and that for best results you can buy the DVD by clicking the link below.
 
Get: The Stones in the Park [DVD]

Written by Ron Nachmann | Comments