Dangerous Minds pal Chris Campion writes: “I’ve been joking for years that Ikea is part of some kind of fascistic experiment in social conditioning. And it’s probably true!”

According to a new book about Ikea founder Ingvar Kamprad, his youthful dalliance with rightwing Nazi groups is more extensive than he’s admitted in the past. Sweden’s intelligence agency actually set up a special file on him. From The Guardian:

Swedish author and journalist Elisabeth Asbrink says Kamprad joined the Swedish Nazi party in 1943 when 17, prompting the security police to start a file on him the same year.

Asbrink also claims in her book, And in Wienerwald the Trees Remain, that the founder of the Swedish furniture chain was in contact with Nazi sympathisers until at least 1950 – two years longer than he had previously acknowledged.

She writes that Kamprad’s letters were secretly opened by Swedish security police and their contents, including information about his effort to recruit members, were noted on his file, in which the police wrote “Nazi”.

“They were steamed open, copied and closed again,” Asbrink states.

The intelligence agency is also said to have noted that Kamprad “had some sort of functionary position” in a youth Nazi organisation that sent him newsletters.

Per Heggenes, a spokesman for Kamprad, told the Associated Press that the Ikea founder had never been aware of the file’s existence until now.

—snip—

In 1999, Kamprad admitted his past involvement with Nazism in a book about his life and asked for forgiveness for his “stupidity.”

He also admitted to Swedish media that he had attended meetings of Nazi groups between 1945 and 1948.

Kamprad has attributed his early sympathies to Nazism to his upbringing, saying he was greatly influenced by his grandmother, a native of the current Czech Republic region of Bohemia, who introduced him to Nazi propaganda magazines at an early age.

In a statement, the American Gathering of Jewish Holocaust Survivors and Their Descendants demanded that an inquiry be opened into Kamprad’s past.

“Holocaust survivors are shocked at the reports of the depths of Kamprad’s Nazi involvement, which he previously had dismissed as mere ‘teenage confusion’,” it said.

“It is time for Kamprad to come clean. Swedish intelligence files describe his recruitment of others to the fascist movement and his involvement with it well after World War II. This can hardly be characterised as youthful confusion.”

Image by Bit Weird.

I’d heard the theory that the Smurfs were a ploy to get us used to the imminent arrival of little blue aliens, but this is news to me. A French academic has published a book claiming that the Smurfs were both Communist and anti-Semitic, claims that have met with a backlash from fans of the little blue guys. From The Guardian:

Antoine Buéno, a lecturer at Sciences Po university in Paris, makes the claims in his new book Le Petit Livre Bleu: Analyse critique et politique de la société des Schtroumpfs, in which he points out that the Smurfs live in a world where private initiative is rarely rewarded, where meals are all taken together in a communal room, where there is one leader and where the Smurfs rarely leave their small country.

“Does that not remind you of anything? A political dictatorship, for example?” asks Buéno, going on to compare the Smurfs’ world to a totalitarian utopia reminiscent of Stalinist communism (Papa wears a red outfit and resembles Stalin, while Brainy is similar to Trotsky) and nazism (the character of the Smurfs’ enemy Gargamel is an antisemitic caricature of a Jew, he proposes). A story about the Black Smurfs, meanwhile, in which the Smurfs are bitten by a fly which turns their skin black and renders them unable to speak, has colonial overtones.

Reactions to the book were immediate and hostile, with commenters on Smurf fansites calling Buéno a “dream breaker”, an imbecile and a crook with “paranoid delusions”, who is ruining childhood memories.

 
Is this strange video perhaps more proof of a connection?
 

 
Thanks to Nicola Blackmore.

 
It is positively mind-blowing that Michele Bachmann’s favorite “hard rock” preacher Bradlee Dean (whose ministry is reportedly under investigation by the IRS) is let anywhere near impressionable children with his bizarre version of (ahem) “Christianity.” And yet he’s not merely allowed to be with children, he’s actually invited to preach to them in Minnesota public school classrooms with his shitty heavy metal band, Junkyard Prophet! Now he’s also got a radio show, apparently…

From Right Wing Watch:

Bryan Fischer’s appearance on Sons of Liberty, a Genesis Communication Network radio show, was filled with his characteristic rants about the purported ties between gays and Nazism, gays and the Obama Administration, and gays and “brainwashing” students in public schools. While such claims are nothing new coming from Fischer, the American Family Association’s Director of Issue Analysis, he was spewing out his anti-gay conspiracy theories on a radio program hosted by Bradlee Dean of the influential Minnesota ministry, “You Can Run But You Cannot Hide.”

Dean’s You Can Run has found supporters in Minnesota Congresswoman Michele Bachmann and the unsuccessful Republican candidate for governor Tom Emmer. Emmer’s campaign donated to the Ministry, and Bachmann even prayed to thank God about You Can Run “for how You are going to expand this radio program, how You are going to expand their video program, their publications, how You are going to advance them from 260 schools a year, Lord, to 2,600 schools a year.”

Fischer and Dean’s show was quite a meeting of the conspiratorial minds. Dean has claimed that Congressman Keith Ellison, a Muslim, is using gay rights to topple the Constitution and introduce Sharia law, and that executing gays is “moral.”

Imagine how you’d feel finding out that Bradlee Dean had “performed” his act at your kid’s school and you had no warning beforehand? I’d be fucking furious.

If you are brave enough to listen to this, have a barf bag handy. A pig-ignorant hillbilly homophobe like Bradlee Dean should be denounced, exposed and shamed as the bigoted jackass he is by the people of Minnesota. THESE TWO GUYS talking about Nazis?!?!?! (Note to Bradlee Dean if he’s reading this: Have someone smarter than you are explain the concept of “preposterous irony” to you, buddy!).

Yuck. What does it say about the state when low IQ asshats like this are not merely tolerated, but condoned—and even financially supported—by Minnesota’s establishment Republican politicians? Why aren’t Minnesota’s progressives making hay of this matter? An association with the likes of Bradlee Dean, let alone a monstrous dickhead like Bryan Fischer (I’m looking right at you Tim Pawlenty) should be, in a just and reasonable country, a reason to be ostracized and shunned, not embraced.
 

 
Previously on Dangerous Minds
America is a bottomless pit of idiots: Meet Bradlee Dean (and hear Michele Bachmann pray for him!)

 
Of course Howard Stern got it right when he re-dubbed The History Channel as “The Hitler Channel” back in the early 1990s, but did you know that there actually was Nazis television programing going out three nights a week during the Third Reich? That’s correct, the German television industry was, in many respects, far, far ahead of the medium’s fortunes in either Britain or America. Most people think of television as “starting” in the 1950s, but this is simply not true. Before I Love Lucy, The Twilight Zone or Your Show of Shows, there was Deutscher Fernseh-Runfunk (AKA “TV Station Paul Nipkow”), which began broadcasting from Berlin in March of 1935. The story of the little-known history of Nazis television, including some downright bizarre examples of the programming, long thought to be lost, was told in Michael Kloft’s 1999 German documentary, Television Under The Swastika:

Legend has it that the triumphal march of television began in the United States in the ‘fifties. But in reality its origins hark back much further. As early as the ‘thirties, a bitter rivalry raged for the world’s first television broadcast. Nazi Germany wanted to beat the competition from Great Britain and the U.S. - at all costs. Reich Broadcast Director Hadamovsky christened the new-born “Greater German Television” in March 1935. And it was only in September 1944 that the last program flickered across the TV screens. For a long time the belief persisted that only very few Nazi programs had survived, but SPIEGEL TV has now succeeded in tracking down a stock of television films and reports which have remained intact since the end of the Third Reich. These include extensive coverage of the 1936 National Socialist Party Convention in Nuremberg which recalls today’s live broadcasts, and of a 1937 visit Benito Mussolini paid to Berlin. Interviews with high-ranking Nazis such as Albert Speer, Robert Ley and the actor Heinrich George are among the finds, along with numerous special reports (i.e. on the Reich Labor Service), a cooking show and the lottery drawing. Television anchorwomen greet their tiny audiences in specially installed television parlors in Berlin, Munich and Hamburg with “Heil Hitler.” The entertainment programs are particularly curious. Cabaret artists are featured - alongside singers extolling the virtues of the “brown columns of the SA and SS.” This documentary by Michael Kloft will reveal a rare and intriguing view of the Third Reich, one far removed from the propagandistic presentations of Leni Riefenstahl & Co. and the weekly cinema newsreel, yet no less ideologically slanted. This is Nazi Germany expressed in an aesthetic medium that we ourselves have only really known since the ‘fifties.

Check out the hottie/haughty blonde Aryan newsreaders! And don’t you love the way the Nazis elites show the little people how they should think and live their lives!?? Looks like the Nazis beat Rupert Murdoch to the punch on the FOX News formula he and Roger Ailes later perfected….

Originally produced for SPIEGEL TV in Germany, this English version of Television Under the Swastika was aired as part of Channel 4’s Secret History series in 2001.
 

 
There is no schadenfreude quite like Republican schadenfreude, especially when there is a male prostitute, hooker or “Nazi hobby” in the mix (note CNN’s lower third text in the video. Superb!).  Far be from me to stick up for the sole Jewish Republican in the House—I think Eric Cantor is a complete idiot—WHAT did Rich Iott, the Republican Congressional candidate from Ohio’s 9th District, EXPECT would happen once this particular GOOSE-STEPPING SKELETON fell out of his closest?

This guy is the best candidate the Ohio Republicans could come up with in this entire district??? Apparently so!

Via TPM

Above, Iott and pals indulging in some good clean Third Reich fun!
 
Rich Iott, the Tea party favored Republican candidate for Ohio’s 9th Congressional district, found himself in the unenvious position yesterday of having to defend himself against The Atlantic’s revelation that he—get this—donned a NAZI UNIFORM to play act in WWII recreations a few years back. Not to fear, Iott’s got a whole mess of rightwing blowhards blogging in his defense, because, as Charles Johnson writes at Little Green Footballs,  “this kind of thing really isn’t a problem for them.”

No, but it might be a problem for, I dunno, Jewish voters in his district and, let’s face it, anyone WITH HALF A BRAIN who MIGHT BE UNCOMFORTABLE voting for a politician whose judgement is so incredibly poor that he CHOSE to wear, and be photographed in, a Nazi uniform, for any reason whatsoever (professional actors aside).

It’s simply amazing to me how many skeletons (and now Nazi uniforms) are falling out of the Tea party candidate’s closets as we get closer to election day. To me, this idiot Iott and his NAZI UNIFORM are a STRIKING REMINDER OF WHAT WE ARE DEALING WITH IN THIS COUNTRY.

Tea baggers, I ask you: Do you see yourself in the below clip (taken from UK sketch comedy series That Mitchell and Webb Look)? And if so, which character do you most identify with?
 

 
“…Disturbing images of Holocaust atrocities including graphic nudity.” These are the elements cited by the Motion Picture Association of America in giving an R-rating to Israeli director Yael Hersonski’s intense-looking documentary, A Film Unfinished, which opens widely this month.

Produced and distributed by Oscilloscope Laboratories, A Film Unfinished centers around the making of the unearthed last reel of Ghetto, a Nazi propaganda film shot in the Warsaw Ghetto and proffered as a document of life there. The reel contains multiple takes of staged, exoticized footage of Jewish life, including a fictionalized depiction of the contrast between “rich” and poor ghetto dwellers.

The R-rating ensures that the film can’t be shown in public school classrooms, a situation ludicrous enough to be called out by Oscilloscope owner and Beastie Boy Adam Yauch a.k.a. MCA. From what I understand, the “graphic nudity” that the MPAA cites refers to female ghetto dwellers entering a mikvah, or Jewish ritual bath. As for the atrocities, well, kids seem to be exposed to plenty of gratuitous and stupid violence on TV, movies and video games. Maybe it would be worth whatever trauma they may go through watching and discussing A Film Unfinished to not only viscerally understand genocide, but also get a classic lesson in media manipulation.

Nice work, MPAA.
 

 
Oscilloscope Laboratories will also release the Allen Ginsberg biopic Howl and the doc William S. Burroughs: A Man Within this fall.

 
Der Fuehrer’s Face is a 1943 propaganda cartoon from the Walt Disney Studios, starring Donald Duck. It was directed by Jack Kinney as an anti-Nazi piece for the American war effort. The song, of course, was later made famous by the great Spike Jones and his City Slickers. The short film won the 1943 Oscar for Best Animated Short Film (the sole Donald Duck short to do so) and in considered one of the 50 Greatest Cartoons of all time, as voted on by animators.

The German oom-pah band is comprised of Emperor Hirohito (Sh?֬

Evidently, the fertile, painkiller-fried imagination of Rush Limbaugh has detected a connection between the swastika and President Obama’s symbol for health care reform.  The results?  Alarmist truth-stretching at its most amusing (and syntax-mangled)!  The LA Times’ Christopher Knight sorts it all out, or tries to:

‘You will find that the Obama health care logo is damn close to a Nazi swastika logo,’ Limbaugh asserted to his listeners.  ‘I’m going to show you people watching on the Dittocam this, and there Nazi symbol you are: The middle frame is the Obama health care logo.  At the bottom is an official Nazi logo, eagle and everything, spread wings, or bird with spread wings.’

There’s just one hitch: Asserting a resemblance between the two logos is like saying Limbaugh resembles Gary Busey because both men have two eyes, a nose, a mouth and a drug addiction.  Obama’s health care logo includes no eagle, Roman symbol of imperial authority, and it has no swastika, the bent-arm cross designed by Hitler himself as the emblem of National Socialism.  Instead, the Obama design surmounts the red, white and blue landscape of his presidential campaign logo with a caduceus, the winged staff entwined with serpents that derived from the rod of Asclepius, son of Greek god Apollo.  An ancient symbol of healing, the rod is often used as a medical logo.  So the Obama design shows a medical symbol above the American landscape.

Rush Limbaugh Flunks Graphic Design 101

Rush Speaks: The Swastika In Obama’s Health Care Reform Symbol