Neil’s gear.
 
Neil Young appearing at last week’s Dive Into Media conference expressed his distaste for MP3’s in no uncertain terms.

Young, the perennial music purist, said that while modern music formats like MP3 are convenient, they sound lousy.

“My goal is to try and rescue the art form that I’ve been practicing for the past 50 years,” Young said. “We live in the digital age and, unfortunately, it’s degrading our music, not improving it.”

It’s not that digital is bad or inferior, it’s that the way it’s being used isn’t doing justice to the art,” Young said. “The MP3 only has 5 percent of the data present in the original recording. … The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn’t have to make that choice.”

Young proposed that fans stage a grassroots movement to demand higher-quality audio. “Occupy audio!” he urged.

Here’s Young talking about digital recording with The Wall Street Journal’s Walt Mossberg and All Things Digital’s Peter Kafka.
 

 
There is lots and lots of great film and video footage of Neil Young throughout his long career, but one of the very best performances is the intimate 30 minute acoustic set he taped in 1971 for the BBC at the height of his powers right before Harvest came out. Part of their In Concert series, the full title was “Neil Young Sings Neil Young.”

The set list includes “Out on the Weekend,” “Old Man,” “Journey Thru the Past,” “Heart of Gold,” “Don’t Let It Bring You Down,” “A Man Needs A Maid,” “Love in Mind,” and “Dance, Dance, Dance.”
 

 
Nearly a half-hour of pro-shot footage from Neil Young’s Bridge School benefit concert including the finale with Arcade Fire, Mumford & Sons, Dave Matthews, Devendra Banhart, Eddie Vedder and Beck.
 

 
Via Exile on Moan Street

 
Scottish folk musician, Bert Jansch, one of the most influential and revered acoustic guitar players in the world, has died from cancer at the age of 67.

Jansch passed away in the early hours of October 5 at a hospice in Hampstead, north London. Though he had been ill for some time, Jansch continued to tour and perform, most recently appearing at Glastonbury earlier this year.

Born in Glasgow in 1943, Jansch was a leading figure in sixties folk music, releasing his first album, the self-titled, Bert Jansch, in 1965, which has been hailed as one of the greatest folk albums ever recorded. Jansch’s influence as a musician has streched across several musical genres and generations, from Paul Simon to Graham Coxon.

The Smiths’ guitarist Johnny Marr has said that “You hear him in Nick Drake, Pete Townshend, Donovan, The Beatles, Jimmy Page and Neil Young.”

While Neil Young called Jansch “As much of a great guitar player as Jimi Hendrix.”

Between 1967 and 1973, Jansch co-founder and guitarist with the legendary folk group Pentangle, playing alongside John Renbourn, Jacqui McShee, Danny Thompson and Terry Cox. Pentangle were known for their innovative mix of folk, rock and jazz, as seen through their seminal albums, The Pentangle, Sweet Child and Basket of Light. Their biggest hit single was “Light Flight”, which was used as the theme to the hit TV series Take Three Girls.

In 2007, Pentangle received a Life-time Achievement Award at the BBC Radio 2 Folk Awards, where producer John Leonard said

“Pentangle were one of the most influential groups of the late 20th century and it would be wrong for the awards not to recognise what an impact they had on the music scene.”

Jansch continued to record, tour (supporting Neil Young in 2010) and producing solo material, which led to a major resurgence in his popularity over the past decade. His most recent album Black Swan was released in 2006, of which All Music said:

For the past ten years Jansch has been undergoing a creative renaissance akin to Bob Dylan’s and people are slowly but surely finding what he has on offer. Black Swan proves that the guitarist and songwriter has a bounty at his disposal. He is writing and recording music that is profound, funny, topical, worldly, and ultimately, necessary.

R.I.P. Bert Jansch 1943-2011
 

Pentangle - “Light Flight”
 

 
Hoots mon! Rare film of Neil Young busking in Glasgow city center, April 1 1976, prior to headlining at the city’s legendary Apollo Theater later that night.

Mr Young performed outside Glasgow’s Central Station, on Gordon Street, where he sang “Old Laughing Lady”. Because of the date - All Fool’s Day - it has been suggested that Mr Young was carrying out his own practical joke for the benefit of those lucky denizens of the Dear Green Place.
 

 
With thanks to the fab Neil McDonald
 

 
This video from Tim Baker and The Kleptones combines music by Neil Young, Pearl Jam, Planets, Ian Dury and Rush with clips from El Topo, Zabriskie Point, Walkabout, Enter The Void and more to create something beautiful, mysterious and evocative—a mystical desert noir.
 

 
Released only on VHS and Laserdisc in 1995, Neil Young’s film Human Highway, filmed in 1978, contains this marvelous footage of Young and Devo having their way with Hey Hey My My. Match made in heaven sez I ! Enjoy this excellent quality clip before the corporate music police take it down.
 

 
With thanks to Brian Turner and Clint Simonson!

 
In 1965, a year before hooking up with the musicians that would form Buffalo Springfield, Neil Young had a brief stint in a Canadian rock group called The Mynah Birds fronted by Rick James (yes, THAT Rick James). At this point in James career he was known as Ricky James Matthew and did a stellar imitation of Mick Jagger. The Mynah Birds had a raw exciting sound that hinted at The Stones, Them, and various American garage bands. The Mynah Birds nailed a deal with Motown Records (the first white band to do so) and recorded 16 tracks in Detroit. But things turned bad.

In his Young biography, “Shakey,” Jimmy McDonough describes the scene:

The Mynah Birds—in black leather jackets, yellow turtlenecks and boots—had quite a surreal scene going. The band was financed by John Craig Eaton of the Eaton’s department-store dynasty. Legend has it he poured money into the band, establishing a bottomless account for the band’s equipment needs.

Those lucky enough to see any of the band’s few gigs say they were electrifying. ‘Neil would stop playing lead, do a harp solo, throw the harmonica way up in the air and Ricky would catch it and continue the solo.’

Unfortunately, everything screeched to a halt when James was busted in the studio for being AWOL from the navy. “We thought he was Canadian,” said Palmer. “Even though there are no Negroes in Canada.” A single, “It’s My Time,” was allegedly pulled the day of release, and the album recordings were shelved and remain unreleased to this day.”

Here’s a couple of raunchy hard-rocking tracks from the never officially released Motown Mynah Birds’ sessions. The musicians are Young and future Buffalo Springfield member Bruce Palmer and Goldy McJohn and Nick St. Nicholas who would later establish Steppenwolf with John Kay.
 

 
A intimate solo performance by Neil Young filmed during his ‘Journey Through The Past’ tour. It was broadcast on BBC television in February of 1971.

For some odd reason (of which I’m not aware), this is not available on video or DVD.

Set list:

1. Out On The Weekend
2. Old Man
3. Journey Through The Past
4. Heart Of Gold
5. Don’t Let It Bring You Down
6. A Man Needs A Maid
7. Love In Mind
8. Dance, Dance, Dance
 

 
It’s official. Neil Young has been come a senior citizen as of today. Born November 12, 1945. Young’s been around for 65 years now.

Below, an amazing solo acoustic performance of his classic, “Old Man” on an episode of BBC In Concert, from 1971.
 

 

 
These are just stunning! Stunning! I certainly wouldn’t mind owning one of those fantastic Zappas. From the artist Lisa Brawn:

I have been experimenting with figurative woodcuts for almost twenty years since being introduced to the medium by printmakers at the Alberta College of Art and Design. Recently, I have been wrestling with a new challenge: five truckloads of salvaged century-old rough Douglas fir beams from the restoration of the Alberta Block in Calgary and from the dismantling of grain elevators. This wood is very interesting in its history and also in that it is oddly shaped. Unlike traditional woodcut material such as cherry or walnut, the material is ornery. There are holes and knots and gouges and rusty nails sticking out the sides.

To find suitably rustic and rugged subjects, I have been referencing popular culture personas and archetypes from 1920s silent film cowboys to 1970s tough guys. I have also been through the Glenbow Museum archives for horse rustlers, bootleggers, informants, and loiterers in turn-of-the-century RCMP mug shots for my Quién es más macho series. Cowgirl trick riders and cowboy yodelers in their spectacular ensembles from the 1940s led to my Honky-Tonkin, Honey, Baby series. Inspired by a recent trip to Coney Island, I have been exploring vintage circus culture and am currently working on a series of sideshow portraits including Zip the Pinhead and JoJo the Dog-faced Boy. There is also an ongoing series of iconic gender archetypes, antiheroes and divas, which includes such portraits as Sophia Loren, Maria Callas, Edith Piaf, Jackie Onassis, Steve McQueen, and Clint Eastwood.

Please visit Lisa Brawn’s website to view hundreds of amazing woodcuts.

(via Everlasting Blort)

 
Two of my favorite musical artists, Neil Young and Daniel Lanois, have collaborated on Neil’s new album Le Noise. Daniel discusses the process of making the record.
 

 
Le Noise is being released on September 28. It’s just Neil, some guitars, some amps and a mixing board. I dig it, but I can’t help but wonder what it might have sounded like with Crazy Horse in the mix. Still, pretty powerful. SImple yet epic. Zen metalism.

Here’s a track:

 
Although they recorded but three albums, Buffalo Springfield was one of the most influential rock bands of the 60s. This Fall, surviving Buffalo Springfield members Neil Young, Stephen Stills, and Richie Furay are reuniting to perform at Young’s annual Bridge School benefit concerts on October 23rd and 24th in Mountain View, California.

Furay told Rolling Stone that got he a text message from Young that read, “Call me.”

“I called and he asked me if I’d be up for a reunion at the Bridge School Benefit,” Furay says. “He said, ‘If you’re into it, I think Stephen [Stills] will be into it.’ The three of us then arranged a conference call, chit-chatted for a few minutes, and planned it all out. The last time I was onstage with them was the last Buffalo Springfield show at the Long Beach Arena back in 1968. Our lives have gone in different directions and I wouldn’t say that we’re close friends, but we’re friends and its an opportunity for us to get together again for a good cause. I’m very excited.”

Rick Rosas (from Neil Young’s band) will sit in for the late Bruce Palmer, with CSN drummer Joe Vitale filling in for Dewey Martin who died in 2009.

Below, David Crosby performs in stead for an MIA Neil Young as Buffalo Springfield sing their million-selling single, “For What It’s Worth” at the Monterey Pop Festival in 1967. Introduced by Peter Tork of the Monkees.
 
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I really like these hand-painted vinyl records from artist Daniel Edlen. According to his web site, Daniel also does drawings of authors on their books. I’m partial to the Zappa, natch.

 

 
See more of Daniel’s work after the jump…

 
While I agree with most of what Jarmusch has to say in the above quote, I question whether or not originality is non-existent. You may be inspired by or steal from other sources, but ultimately what you create - from whatever you got from wherever you got it - is your own original creation no matter that it’s composed of received elements. If nothing else, the energy originates from you and therefore is original. If originality is dead then aren’t we all? If originality is dead then what drives art? Has the shock of the new turned into a recycled thud?

Here’s a fascinating look into the process Jarmusch went through making the soundtracks for Dead Man with Neil Young and Ghost Dog with RZA. All three artists seem to enjoy working in the moment, improvising and spontaneity, and I find the results quite original.